john:

1. Or: johns , common usage for a toilet . See also: bathroom ; latrine .

QUOTE: King Arthur (Patrick Stewart) to his treacherous brother Prince John (Richard Lewis) in Robin Hood: Men in Thights (1993): 'Brother, you have surrounded your given name with a foul stench. From this day forth all the toilets in this kingdom shall be known as johns .'

2. John / john , the customer of a prostitute . Specifically, a male client in distinction to Jane, a female client .
SYNONYMS: baby ; beef-burger ; client ; cull ; date ; fare ; meal-ticket ; meatball ; money-trick ; patron ; piper ; punter ; sucker ; TOS ; trade ; trick .
SEE ALSO: 33 ; 78 ; champagne-trick ; curb-crawler ; freak-trick ; frequent-flyer .

3. A man who supports and keeps a particular woman in return for sexual favors.

4. A john / johnny , in England, a condom . See condom for synonyms.

See Also: a piece of patch, a.k., abbess, acousticophilia, altocalciphilia, amy-john, androzoon, Animal House, assume the position, back-door man, beef burger, beetle, belfa, best-worst part, blowzabelle, blue flame, body worship, boong-moll, bronco, bubby circus, buggerantoes, burn, burner, burning, cacoethes, can, carpe diem, cavalier, central furrow, cervical hostility, charactronym, cleft, cleft of flesh, client, cloven spot, coital position, coital posture, come-fuck-me-pumps, conjugate, controlling part, coronal extender, crapper, crush, cull, Dear John, defemination, dibucaine hydrochloride, dork, drag queen, ecstasy intoxication, end, erection maintainer, erection medicine, erotica, esurient, eye-pleasing fruit, fare, feel my pulse, flaming bitch, flirtatious, flirty, fornicatory doll, frail, French tickler, friendly with, fuck-me pumps, full-bosomed, G-spot, the, gallop the antelope, ganzabil, gay trade, gayness, glove, goose, grit, heel, heliogabalus, hen house, hermaphy, hit and run guy, homo mollis, homosocial, inch, insomnia sexualis, inunctionism, jintoe, Joan Bull, Joe Doe, Joe Hunt, Joe Zilch, john, John Doe, John Doughs, John Q. Citizen, John Q. Public, John Thomas, John Tom, Johnnie, johnny, johns, killer, koprolagnia, laid, relayed and parlayed, lamma hutching, latrine, laundry, leg, levator vaginae, Long Dong Silver, love-hate, mack, meatball, menschkite, messalina, metamorphosis sexualis paranoia, misogyny, monoclinous, needle, no, oil change, old dose, one-eyed trouser snake, orectic, orgasmus praecox, patron, personification, piece of patch, piper, piss broken glass, piss pins and needles, piss razor blades, plough, plow, position, quebrachine, rasper, ride, rocks, runcible, screaming bitch, screwed, jewed and tattooed, self-disclosure, sex position, sex-chauvinist, sexual asphyxia, sexual position, shit-house, shithouse, shunamitism, sklook, sociobiology, spoffskins, spread eagle, stiffy, strephon, tadger, teenager, titty-oggy, todger, TOS, tragalist, true love, undies, unspoken language (of love), urethrorrhea ex ubidine, venereal disease, Venus observa feminae, Venus vulgivaga, vibratory dilator, vita sexualis, volunteer bias, walk with somebody, warheads, wet deck(s), whore, womb

Quotes Containing john:
Ann Mitchell (Barbara Stanwyck) to Long John Willoughby/John Doe (Gary Cooper) in Meet John-Doe (1941): ''If it''s worth dying for, it''s worth living for.''
Annie Madison (Suzy Amis) and John (Peter Gallagher) in Watch It (1993): - Annie: 'What is it? What makes a man? Why are all men such jerks?' - John: 'Well, I couldn't tell you that.' - Annie: 'No, seriously.' - John: 'It's a closely guarded secret. I could get-into a lot of trouble if I told you.'
John Buckner (Kieffer Sutherland) to Huey Walker (Dennis Hopper) in Flashback (1989): - John: ''Assume the position .'' - Huey: ''Which one did you have in mind?''
John Milton (Al Pacino) in The Devil's Advocate (1998): 'Vanity, definitely my favorite sin .'
John Milton (Al Pacino) in The Devil's Advocate (1998): 'Vanity is definitely my favorite sin .'
John Buckner (Kieffer Sutherland) to Huey Walker (Dennis Hopper) in Flashback (1989): - John: 'Assume the position .' - Huey: 'Which one did you have in mind?'
Claire Standish (Molly Ringwald) and John Bender (Judd Nelson) in The Breakfast Club (1985): - Claire: ''Where is your lunch?'' - John: ''You''re wearing it .''
John Scott (John Wayne) about Kansas Charly''s (Edward Chandler) baldness in The Desert Trail (1935): ''That''s the first forehead I ever saw that ran clear to the back of the neck .''
Paul (John Malkovich), the clown, to Jack (John Cusack), the student, in Shadows and Fog (1992): 'I never do-it with a whore . You start out with a burning desire and you end up in the morning with a burning sensation, if you know what I mean.'
Kevin Lomax (Keanu Reeves) and John Milton (Al Pacino) in The Devil's Advocate (1997) - Kevin Lomax: 'What about love?' - John Milton: 'Overrated. Biochemically no different from eating large quantities of chocolate.'
John Scott (John Wayne) about Kansas Charly''s (Edward Chandler) baldness in The Desert Trail (1935): ''That''s the first forehead I ever saw that ran clear to the back of the neck .''
Kevin (Keanu Reeves) and John/Satan (Al Pacino) in The Devil's Advocate (1998): - Kevin: 'What about love?' - John: 'Overrated. Biochemically, no different than eating large quantities of chocolate.'
Pat Cooper (Wendy Hiller) to John Malcolm (Burt Lancaster) about his relation with his ex-wife Ann Shankland (Rita Hayworth) in Separate Tables (1958): ''Well, there''s not much to choose between you two, is there? When you''re together, you slash each other to pieces, when you''re apart, you slash yourselves to pieces. '' A form of reconciliation is achieved at the end of the movie with this dialogue: - John: ''You know , don''t you Ann, that we don''t have very much hope together.'' - Ann: ''Have we all that much apart?''
Mrs. Emma Peel (Uma Thurman) and John Steed (Ralph Fiennes) in The Avengers (1999): - Mrs. Peel: 'I'm the sort that doesn't take 'no' for an answer.' - John Steed: 'I think that would depend entirely on the question.' METHAPHORICAL YES-SES!!!
Jack Lemmon) to his neighbor Max Goldman (Walter Matthau) who spent the night with Maria Ragetti (Sophia Loren) in Grumpier Old Men (1995): - John: 'I don't believe it! You and that beautiful lady?' - Max: 'I am the thief of heart , I am the gangster of love .' - John: 'Gangster, hey? Well, tell me. Was it more of a hold-up than a stick-up?'
Capt. John Pringle (John Lund) to Phoebe Frost (Jean Arthur) in A Foreign Affair (1948): ''I''m a heel , a certified heel . I''ve got papers to prove it .''
''I''m a hopeless romantic in a male chauvinistic world .'' Robert/Roberta (John Lithgow), a transsexual in The World According to Garp (1982)
Mayor John Pattas (Al Pacino) to his boy Kevin Calhoon (John Cusack) in City Hall (1998): ''Menschkite, you know , something between men. It''s about honor, caring... Untranslatable. That''s why it''s Yiddish.'' And later: ''I''m talking menschkite , the stuff between men. You know , the there that''s there, the thousand telephone calls, the bouquets, and the brick batchs. The space between a handshake. You know , the stuff that goes with you to your grave.''
''Sex is like a handshake to you.'' John Boys (James LeGros) to his promiscuous girlfriend Jessica (Lisa Zane) in Floundering (1994)
''Sex is like a handshake to you.'' John Boys (James LeGros) to his promiscuous girlfriend Jessica (Lisa Zane) in Floundering (1994)
Columnist L''Oiseau/Wasy (Wallace Shawn) to Bertram Stone (John Lone) in The Moderns (1988): ''Everyone hates repeating gossip but what else is there to do with it?''
John Le Carr . Tinker, Taylor, Soldier, Spy (1974): ''Faint heart never won fair lady .''
Francis Harrigan (John Payne) in Tin Pan Alley (1940): ''I was a heel from the ground up .''
Rockland (John Wayne) in Tall in the Saddle (1944): 'I never feel sorry for anything that happens to a woman .'
Dr. John Harvey Kellogg (Anthony Hopkins) in The Road to Wellville (1994): 'An erection is a flagpole on your grave.'
Roland T. Flakfizer (John Torturo) and Jacques (Bob Nelson) in Brain Donors (1992): - Roland: ''The face is familiar.'' - Jacques: ''It''s mine!''
Billie Dawn (Melanie Griffith) to her boyfriend (John Goodman) when she was almost caught kissing Paul Verral (Don Johnson) in Born Yesterday (1993): ''Paul just taught me a little French .''
Jimbo (Joshua Cadman) teaching Gib/Walter Gibson (John Cusack) his method of flirting with girls in The Sure Thing (1985): ''We speak the unspoken language... fluently.''
Frances (Grace Kelly) picnicking with John Robie (Cary Grant) in To Catch a Thief (1955): ''Do you want a leg or a breast?''
Rockland (John Wayne) in Tall in the Saddle (1944): 'I never feel sorry for anything that happens to a woman .'
Rockland (John Wayne) in Tall in the Saddle (1944): ''I never feel sorry for anything that happens to a woman .''
Lance (Anthony Edwards) to Walter 'Gib' Gibson (John Cusack) before introducing him to The Sure Thing (1985): 'Tonight is the first night of the rest of your sex-life .'
John D . MacDonald in The Dreadful Lemon Sky about young people: ''They are on the edge of life and think they''re in the midst of it .''
Herb Stempel (John Turturro) in Quiz Show (1994): 'You wanna be worshipped? Go to India and moo.'
James Brannigan (John Wayne) pointing a gun at the bad guy in Brannigan (1975):''I wouldn''t, unless you want to sing soprano.''
Elsa Carrington (Madeleine Carroll) to Richard Ashenden (John Gielgud) in Secret Agent (1936): ''I fell in-love-with you at first sight; not a crush but a crash.''
'You always go limp in a crisis.' To Earl Keese (John Belushi) in Neighbors (1981)
'Do you want a leg or a breast?' Frances (Grace Kelly) picnicking with John Robie (Cary Grant) in To Catch a Thief (1955)
John Travolta as/in Michael (1997): ''You''ve got to learn to laugh; it''s the way to true-love .''
Breck Coleman (John Wayne) to Ruth Cameron (Marguerite Churchill) who claims not like him in The Big Trail (1931): ''You know you can get sorta used to having somebody not like you.''
Huey Walker (Dennis Hopper) to John Buckner (Kiefer Sutherland) in Flashback (1990): ''When I was your age I was even younger than you.''
Herbie Stemple (John Turturro) in Quiz Show (1994): 'You want to be worshipped? Go to India and moo.'
Roland T. Flakfizor (John Turturro) in Brain Donors (1992): 'Two is company and three is an adult-movie .'
John Smith (Henry Fonda) in The Moon''s Our Home (1936): ''Give me a simple primitive woman with a small high chest .''
Elsa Carrington (Madeleine Carroll) to Richard Ashenden (John Gielgud) in Secret Agent (1936): ''I fell in-love-with you at first sight; not a crush but a crash.''
Thomas (John Halliday) to Anita (Ingrid Bergman) about her relationship with a married man in Intermezzo (1939): ''I wonder if anyone has ever built happiness on the unhappiness of others?''
Noah Cross (John Huston) in Chinatown (1974): ''Most people don''t ever have to face the fact that, in the right place , at the right time, they are capable of anything.''
Garet (William Baldwin) to Sergio (John Leguizamo) in A Pyromaniac's Love Story (1994): 'Love isn't buried in time, Sergio. Love is endless and instantaneous.'
Elsa Carrington (Madeleine Carroll) to Edgar Brodie/Richard Ashenden (John Gielgud) in Secret Agent (1936): ''I fell in-love-with you at first sight; not a crush but a crash.''
Sir John Vanbrugh. The Relapse (1696): ''No woman is worth money that will take money .''
Sir John Vanbrugh. The Relapse (1696): ''No woman is worth money that will take money .''
John Irving. The World According to Garp (1978): ''No glove , no love .''
Trevor (John R. Lee) in Aeon Flux (1995): ''That''s the funny thing about memories , we are only what we remember of ourselves.''
John Keating (Robin Williams) to a student in Dead Poets Society (1989): ''We''re not laughing at you, we''re laughing near you.''
Delores Del Ruby (Lorraine Bracco) about The Countess (John Hurt) in Even Cowgirls Get the Blues (1993): ''Look at him, perverse as a pink pickle .''
Felix/Baron Von Gaigern (John Barrymore) to Flaemmchen (Joan Crawford) in Grand Hotel (1932): 'You're quite attractive enough to be anything.'
Garet (William Baldwin) to Sergio (John Leguizamo) in A Pyromaniac's Love Story (1994): 'Love isn't buried in time, Sergio. Love is endless and instantaneous.'
Michael/Dorothy (Dustin Hoffman) to Ron (Dabney Coleman) in Tootsie (1982): - Ron: ''Tootsie, take ten .'' - Dorothy: ''Ron, my name is Dorothy. It''s not Tootsie or Toots or Sweety or Honey or Doll.'' - Don: ''Oh! Christ!'' - Dorothy: ''No, just Dorothy. Now Allen is always Allen, Tom is always Tom, and John is always John. I have a name too. It''s Dorothy. Capital D , o, r, o, t, h, y. Dorothy.''
''Eat my shorts!'' Max Goldman (Walter Matthau) to John Gustafson (Jack Lemmon) in Grumpy Old Men (1993)
James Graham, Marquis of Montrose (John Hurt) speaking of the barreN Scottish queen in Rob Roy (1994): ''Aie, one might have hoped that a field so regularly plowed might have yielded one good crop . In truth I have seen healthier graveyards than that woman''s womb .''
Breck Coleman (John Wayne) to the pilgrims of the wagon train in The Big Trail (1931): ''And you gotta fight, that''s life . And when you stop fighting, that''s death.''
The Countess (John Hurt) in Even Cowgirls Get the Blues (1993): ''There comes a time when it is psychologically impossible for a woman to lose her virginity - you can''t wait too long, you know .''
The Countess (John Hurt) in Even Cowgirls Get the Blues (1993): ''There comes a time when it is psychologically impossible for a woman to lose her virginity - you can''t wait too long, you know .''
John Wilmot, Earl of Rochester. A Ramble in St. James''s Park 1680: ''Had she picked out , to rub her arse on / Some stiff-pricked clown or well-hung parson.''
Ace Lamont (John Miljan) and Ruby Carter (Mae West) in Belle of the Nineties (1934): - Ace: ''I''m wild-about you.'' - Ruby: ''Some of the wildest men make the best pets. ''
Huntley Haverstock/John Jones (Joel McCrea) to Carol Fisher (Laraine Day) in Foreign Correspondent (1940). - Johnny Jones: ''I''m in-love-with you, and I want to marry you.'' - Carol Fisher: ''I''m in-love-with you, and I want to marry you.'' - Johnny Jones: ''Hmm... That cuts down our love-scene quite a bit , doesn''t it?''
Latrine (Tracey Ullman) to Prince John (Richard Lewis) in Robin Hood: Men in Tights (1993). ''Put in a good word for me with the Sheriff of Rottingham. I''ve got the hots for him.''
Tom Wingfield (John Malkovich) describes the ''gentleman caller'' Jim O''Connor (James Naughton) to his mother Amanda (Joanne Woodward) in The Glass Menagerie (1987):''He has rather a large nose which he compensates for by not having much of a chin.''
Bob Seton (John Wayne) invited to dinner by William Cantrel (Walter Pigeon) in Dark Command (1940): ''It''s the first time I ever had two kinds of birds with one meal: turkey to eat and buzzards to look at.''
Sabra (Frances Dee) and Lynn (John Wayne) in Wheel of Fortune (1941): - Sabra: ''Why are you grinning like that?'' - Lynn: ''Well, it takes fifty muscles to frown and only fourteen to grin . I guess I''m plain lazy.''
Willa Weston (Jamie Lee Curtis) and Rollo Lee (John Cleese) in Fierce Creatures (1997): - Willa: ''Is this one your favorite Rollo?'' - Rollo: ''Yes. Yes, I like him breast - BEST - of all the small mammaries - MAMMALS!''
The Protestant in Monty Python''s The Meaning of Life (1983): ''I can wear anything I want on my John-Thomas ... I can wear French-ticklers if I want.''
Zach (John Ritter) and Alex (Alyson Reed) in Skin Deep (1989): - Zach: ''What would you do if I told you I''ve been celibate for six months?'' - Alex: ''Cross my legs. ''
'We speak the unspoken language... fluently.' Jimbo (Joshua Cadman) teaching Walter 'Gib' Gibson (John Cusack) his method of flirting with girls in The Sure Thing (1985)
Felix/Baron Von Gaigern (John Barrymore) to Grusinskaya (Greta Garbo) in Grand Hotel (1932): ''You must believe one thing . You must believe that I love you. That I''ve never known love like this until now.''
John Milton (Al Pacino) in The Devil''s Advocate (1998): ''Guilt is like a bag full of bricks. All you gotta do is set it down .''
John Keating (Robin Williams) to his students in Dead Poets Society (1989): 'Medecine, law, business , engineering, these are noble pursuits and necessary to sustain life . But poetry, beauty , romance , love , these are what we stay alive for.'
George, Duke of Buckingham (John Sutton) to Queen Anne (Angela Lansbury) in The Three Musketeers (1948): 'I understand nothing except that I love you, that the earth is small and that-there is no room on it for you and me apart.'
John Barrymore (as himself) in Playmates (1941): '- Wives are funny, aren't they? - Definitely. Ask the man who owns one.'
The groom, George Kitteridge (John Howard), his future wife Tracy Lord (Katharine Hepburn), and her ex-husband C .K. Dexter-Haven (Cary Grant) in The Philadelphia Story (1940): - George: 'But a man expects his wife ...' - Tracy: 'To behave herself, naturally.' - Dexter: 'To behave herself naturally.'
Paul (John Malkovich) in Shadows and Fog (1992): ''I never do-it with a whore . You start out with a burning desire and you end up in the morning with a burning sensation, if you know what I mean.''
Chichi Rodriquez (John Leguizamo) to Vita Boheme (Patrick Swayze) in To Wong Foo. Thanks for Everything. Julie Newmar (1995): ''Vita, you know , you''re not a queen because you rule people or you sit-on-the-throne , baby , you''re a queen because you couldn''t cut it as a man so you had to put on a dress.''
Walter Matthau as Justice Dan Snow in First Monday in October (1981): ''Just being offensive is not an offense. One man''s pornography may be another man''s poetry.'' Possibly a rewording of a famous line by Supreme Court Justice John Marshall Harlan from a 1971 case trial on free speech: ''One man''s vulgarity is another man''s lyric.''
Chris Morel (John Wayne) to Clara (Sheila Terry) in ''Neath the Arizona Skies (1934): ''Some men are like books written in a strange language, and that makes it awfully hard to read them.''
Chris Morel (John Wayne) to Clara (Sheila Terry) in ''Neath the Arizona Skies (1934): ''Some men are like books written in a strange language, and that makes it awfully hard to read them.''
Christina (Greta Garbo) to Antonio (John Gilbert) in Queen Christina (1934): ''I have imagined happiness but happiness you cannot imagine. Happiness you must feel. Joy you must feel. Ah! and this great joy I feel now, Antonio, this is how the Lord must have felt when He first beheld the finished world with all it''s creatures breathing, living.''
''Me and my wife use to fight like a couple of wild cats with only a tree between us, but sooner or later, missy, you''ll find out that it doesn''t make a tinker''s damn who''s got the upper hand. A few years roll by and you kinda settle-down to being at ease with each other. Then life gets worth living.'' Capt. Jake Cutter (John Wayne) to Pilar Grayle (Ina Balin) in The Comancheros (1961)
''Easy now! Easy now! Is this a courting or a donnybrook? Have the good manners not to hit the man until he''s your husband and able to hit you back .'' Michaelen Flynn (Barry Fitzgerald), the matchmaker, to Mary Kate Danaher (Maureen O''Hara) and Sean Thornton (John Wayne) in The Quiet Man (1952)
Noah Cross (John Huston) to J.J. Gittes (Jack Nicholson) in Chinatown (1974):''Of course I''m respectable! I''m old! Politicians, ugly buildings and whores all get respectable if they live long enough.''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
George Washington McClintock (John Wayne) to Cathy (Maureen O''Hara) in McClintock! (1963): ''Half the people in the world are women; why does it have to be you that stirs me?''
Anna/Olga (Janet Leigh) to Jim (John Wayne) in Jet Pilot (1957): ''One minute I want to kill you and the next I want to... kiss you... and kiss you, and kiss you. (...) I''ve never met anyone before who aroused and revolted me in the same proportion.''
John Boys (James LeGros) thinking of his promiscuous girlfriend Jessica (Lisa Zane) in Floundering (1994): ''If you want someone to fulfill an image and they don''t you are eventually going to have a big, big problem with who they really are. I thought true-love conquered all. That''s the supreme fiction. If you walk into a room and find yourself instantly attracted to someone there, get the fuck-out of that room because that is the wrong person for you.''
Oliver Webb (Walter Connelly) and Owen O''Malley (Roscoe Karns) speaking of director Oscar Jaffe''s (John Barrymore) obsession with stage star Lily Garland/Mildred Plotka (Carole Lombard) in Twentieth Century (1934): - Oliver:''Do you know how much he paid for long distance calls to Hollywood last year? Eighteen hundred bucks! And she hung-up-on him every time.'' - Owen:''In some Humpty Dumpty way that was true-love .''
Seth Lord (John Halliday) and his daughter Tracy (Katharine Hepburn) in The Philadelphia Story (1940): - Seth: ''What most wives fail to realise is that their husbands philandering has nothing to do with them.'' - Tracy: ''Oh? Then what has it to do with?'' - Seth: ''A reluctance to grow old, I think.''
Richard Miller (John C . McGinley) breaking off with his girlfriend in Watch It (1993): - Richard : 'Can I ask you a question?' - Girlfriend: 'Yeah.' - Richard : 'What part of 'no' exactly do you not understand?'
Grand Vizier Jaffar (Conrad Veidt) to Ahmad (John Huston) in The Thief of Bagdad (1940): ''There are but three things that men respect: the lash that descends, the yoke that breaks, and the sword that slays. By the power and terror of these you may conquer the earth.''
Grand Vizier Jaffar (Conrad Veidt) to Ahmad (John Huston) in The Thief of Bagdad (1940): ''There are but three things that men respect: the lash that descends, the yoke that breaks, and the sword that slays. By the power and terror of these you may conquer the earth.''
Fat Sam (John Cassini) and Tallulah (Jodie Foster) in Bugsy Malone (1976): - Fat Sam: ''Tallulah! You spend more time putting yourself up than there are hours in the day.'' - Tallulah: ''Listen, honey! If I didn''t look this good you wouldn''t give me the time of day.''
Bernadine/Bernie (Angela Bassett) being divorced after 11 years with John in Waiting to Exhale (1995): 'You know what's funny. I always thought if I gave him what he needed he'd give me what I need. It's amazing what can happen when you give a man control over your life .'
John Keating (Robin Williams) to his students in Dead Poets Society (1989): ''Medecine, law, business , engineering, these are noble pursuits and necessary to sustain life . But poetry, beauty , romance , love , these are what we stay alive for.''
Cooley (Harold Hopkins), Don (John Hargreaves), and Kerry (Candy Raymond) in Don''s Party (1975): - Cooley: ''Hello, gorgeous! Care for a screw?'' - Don: ''He used to say: fuck'' - Kerry: ''Any particular reason for the change?'' - Cooley: ''Yeah, I get more fucks when I say: screw .''
Cooley (Harold Hopkins), Don (John Hargreaves), and Kerry (Candy Raymond) in Don''s Party (1975): - Cooley: ''Hello, gorgeous! Care for a screw?'' - Don: ''He used to say: fuck'' - Kerry: ''Any particular reason for the change?'' - Cooley: ''Yeah, I get more fucks when I say: screw .''
Paul (John Travolta) and Sarah (Madeleine Stowe) in The General''s Daughter (1999): - Paul: ''Bunch of creeps willing to risk it all-for a-piece-of-patch .'' - Sarah: ''A piece of patch?!'' - Paul: ''Sorry, darling . I just got back to The Basin. It dredges up all my alpha male behavior.''
Paul (John Travolta) and Sarah (Madeleine Stowe) in The General''s Daughter (1999): - Paul: ''Bunch of creeps willing to risk it all-for a-piece-of-patch .'' - Sarah: ''A piece of patch?!'' - Paul: ''Sorry, darling . I just got back to The Basin. It dredges up all my alpha male behavior.''
Tom Wingfield (John Malkovich) describes the ''gentleman caller'' Jim O''Connor (James Naughton) to his mother Amanda (Joanne Woodward) in The Glass Menagerie (1987):''He has rather a large nose which he compensates for by not having much of a chin.''
Bob Seton (John Wayne) invited to dinner by William Cantrel (Walter Pigeon) in Dark Command (1940): ''It''s the first time I ever had two kinds of birds with one meal: turkey to eat and buzzards to look at.''
Justice Dan Snow (Walter Matthau) in First Monday in October (1981): ''Just being offensive is not an offense. One man''s pornography may be another man''s poetry.'' Possibly a rewording of a famous line by Supreme Court Justice John Marshall Harlan said in a 1971 case on free speech: ''One man''s vulgarity is another man''s lyric.''
Justice Dan Snow (Walter Matthau) in First Monday in October (1981): ''Just being offensive is not an offense. One man''s pornography may be another man''s poetry.'' Possibly a rewording of a famous line by Supreme Court Justice John Marshall Harlan said in a 1971 case on free speech: ''One man''s vulgarity is another man''s lyric.''
MaryBeth (Bridget Fonda) to Kevin (John Cusack) in City Hall (1998): - MaryBeth Cogan, a Newyorker: ''You''re a mean prick , aren''t you?'' - Kevin Calhoon, from Louisiana: ''Where I come from, that''s a compliment.''
Chichi Rodriquez (John Leguizamo) to Vita Boheme (Patrick Swayze) in To Wong Foo. Thanks for Everything. Julie Newmar (1995): ''Vita, you know , you''re not a queen because you rule people or you sit-on-the-throne , baby , you''re a queen because you couldn''t cut it as a man so you had to put on a dress.''
Chuck (John Kapelos), the flirtatious owner of All Things Dead, and Roxanne Kowalski (Daryl Hannah) in Roxanne (1987): - Chuck:'Hi. Remember me?' - Roxanne:'I'm trying to put it behind me.'
Rockland (John Wayne) to his would-be girlfriend (Ella Raines) in Tall in the Saddle (1944): 'You might as well know right now that no woman is going to get me hog-tied and branded. '
Producer-director Oscar Jaffe (John Barrymore) about stage star Lily Garland/Mildred Plotka (Carole Lombard) in Twentieth Century (1934): 'I wouldn't take that woman back if she and I were the last people in the world ... and the future of the human race depended on it .'
Sam McCord (John Wayne) in North to Alaska (1960): 'Women! I never met one yet that was half as reliable as a horse.' And later: 'Any woman who devotes herself to making one man miserable instead of a lot of men happy doesn't get my vote.'
Rusty Thomas (John Wayne) to author Christopher 'Kit' Madden (Claudette Colbert) in Without Reservation (1946): 'I don't want a woman who's trying to tell the world what to do . I don't even want a woman to tell me what to do . I want a woman who needs me, a Miss Klutch, who's helpless, and cute , and... ah! forget it .'
John Driscoll (Bruce Cabot) to Ann Darrow (Fay Wray) in King Kong (1933): 'You're alright but women just can't help being a bother . Made that-way I guess.'
Zeke (Tully Marshall) to Breck Coleman (John Wayne) in The Big Trail (1931): 'Well, you can never tell how a woman feels by the way she acts. They're's all riddles all of 'em. And you just gotta guess 'em. And no matter which way you guess, you're wrong.'
John Fraser (Ward Bond) to Captain Chris Holden (Gary Cooper) in Unconquered (1947): ''I don''t know what the Good Lord was about when he made a female out of a perfectly good rib .''
Sam McCord (John Wayne) in North to Alaska (1960): ''Women! I never met one yet that was half as reliable as a horse.'' And later: ''Any woman who devotes herself to making one man miserable instead of a lot of men happy doesn''t get my vote.''
Rusty Thomas (John Wayne) to author Christopher ''Kit'' Madden (Claudette Colbert) in Without Reservation (1946): ''I don''t want a woman who''s trying to tell the world what to do . I don''t even want a woman to tell me what to do . I want a woman who needs me, a Miss Klutch, who''s helpless, and cute , and... ah! forget it .''
Zeke (Tully Marshall) to Breck Coleman (John Wayne) in The Big Trail (1931): ''Well, you can never tell how a woman feels by the way she acts. They''re''s all riddles all of ''em. And you just gotta guess ''em. And no matter which way you guess, you''re wrong.''
John Driscoll (Bruce Cabot) to Ann Darrow (Fay Wray) in King Kong (1933): ''You''re alright but women just can''t help being a bother . Made that-way I guess.''
John Fraser (Ward Bond) to Captain Chris Holden (Gary Cooper) in Unconquered (1947): 'I don't know what the Good Lord was about when he made a female out of a perfectly good rib .'
Dr. Constance Petersen (Ingrid Bergman), a psychoanalyst, and Anthony Edwardes/John Ballantine (Gregory Peck) in Spellbound (1945): ''People fall in-love , as they put it , because they respond to a certain hair coloring, or vocal tones, or mannerisms that remind them of their parents.''
John Fraser (Ward Bond) to Captain Chris Holden (Gary Cooper) in Unconquered (1947): 'I don't know what the Good Lord was about when he made a female out of a perfectly good rib .'
Sam McCord (John Wayne) in North to Alaska (1960): 'Women! I never met one yet that was half as reliable as a horse.' And later: 'Any woman who devotes herself to making one man miserable instead of a lot of men happy doesn't get my vote.'
Rusty Thomas (John Wayne) to author Christopher 'Kit' Madden (Claudette Colbert) in Without Reservation (1946): 'I don't want a woman who's trying to tell the world what to do . I don't even want a woman to tell me what to do . I want a woman who needs me, a Miss Klutch, who's helpless, and cute , and... ah! forget it .'
John Driscoll (Bruce Cabot) to Ann Darrow (Fay Wray) in King Kong (1933): 'You're alright but women just can't help being a bother . Made that-way I guess.'
Zeke (Tully Marshall) to Breck Coleman (John Wayne) in The Big Trail (1931): 'Well, you can never tell how a woman feels by the way she acts. They're's all riddles all of 'em. And you just gotta guess 'em. And no matter which way you guess, you're wrong.'
Grifter Myra Langtry (Annette Bening) to Roy Dillon (John Cusack) in The Grifters (1990): ''I had ten good years with Cole and I want them back . I gotta have a partner . I looked and I looked and believe me, brother , I kissed a lot of fucking frogs and you''re my prince.''
Lt. Dan Brent (John Wayne) and Bijou Blanche (Marlene Dietrich) in Seven Sinners (1940): - Lt. Brent: ''Imagine finding you here.'' - Bijou: ''I''m the type of girl you''re liable to find anywhere.''
''I don''t know what the Good Lord was about when he made a female out of a perfectly good rib .'' John Fraser (Ward Bond) to Captain Chris Holden (Gary Cooper) in Unconquered (1947)
Lynn (John Wayne) and Sabra (Frances Dee) in Wheel of Fortune (1941): - Lynn: ''You know , you''d be lovely if you had brown hair.'' - Sara: ''I have brown hair.''
''By the age of forty, someone clever had written ominously, a man gets the face he deserves. Smiley doubted it . He had known poetic souls condemned to life imprisonment behind harsh faces, and deliquents with the appearance of angels. '' John Le Carr. Smiley''s People (1979)
Seth (John Halliday) and Tracy (Katharine Hepburn) in The Philadelphia Story (1940): - Seth Lord: ''What most wives fail to realise is that their husband''s philandering has nothing to do with them.'' - Tracy Lord: ''Oh? Then what has it to do with?'' - Seth Lord: ''A reluctance to grow old, I think.''
Sung by Eric Idle in Monty Python. The Meaning of Life (1983): ''Isn''t it awfully nice to have a penis / Isn''t it frightfully good to have-it-on / It''s swell to have a stiffy / It''s divine to own a dick / From the tiniest little tadger to the world''s biggest prick / So, three cheers for your Willy or John-Thomas / Hooray for your one-eyed-trouser-snake / Your piece of pork , your wife''s best-friend , your passing or your cock / You can wrap it up in ribbons, you can stuff it in your sock / But don''t take-it out in public or they''ll stick you in the dock and you won''t come back .''
Paul (John Malkovich), the clown, and Marie (Madonna), the acrobat, in Shadows and Fog (1992) - Paul: 'Sometimes when you're up on the high wire and I look at you you look so...' - Marie: 'What?' - Paul: 'Edible.' - Marie: 'How hungry are you now?' - Paul: 'I'm always famished after a performance. And you?' - Marie: 'I can never sleep on an empty stomach.' - Paul: 'Do you have a taste for anything special?' - Marie: 'I'm not fussy. I eat what you put in front of me.'
Sung by Eric Idle in Monty Python. The Meaning of Life (1983): ''Isn''t it awfully nice to have a penis / Isn''t it frightfully good to have-it-on / It''s swell to have a stiffy / It''s divine to own a dick / From the tiniest little tadger to the world''s biggest prick / So, three cheers for your Willy or John-Thomas / Hooray for your one-eyed-trouser-snake / Your piece of pork , your wife''s best-friend , your passing or your cock / You can wrap it up in ribbons, you can stuff it in your sock / But don''t take-it out in public or they''ll stick you in the dock and you won''t come back .''
Drag queens Noxema/Zima Jackson/Auntie Noxy (Wesley Snipes) and Chichi Rodriquez (John Leguizamo) in To Wong Foo. Thanks for Everything. Julie Newmar (1995): - Noxema: ''Darling, if you''re going to become a drag-queen , you''re gonna have to learn these things. '' - Chichi: ''What do you mean ''a drag queen''? I am a drag queen!'' - Noxema: ''Oh, child, no , no , no . You''re simply a boy in a dress. When a straight man puts a dress and gets his sexual kick he is a transvestite ; when a man is a woman trapped in a man''s body and has the little operation he is a transsexual ; (...) when a gay man has way too much fashion sense for one gender he is a drag-queen . (...) And when a light little Latin boy puts on a dress he is simply a boy in a dress.'' In the end , they agree to give Chichi the temporary title of ''drag princess .''
Sung by Eric Idle in Monty Python. The Meaning of Life (1983): ''Isn''t it awfully nice to have a penis / Isn''t it frightfully good to have-it-on / It''s swell to have a stiffy / It''s divine to own a dick / From the tiniest little tadger to the world''s biggest prick / So, three cheers for your Willy or John-Thomas / Hooray for your one-eyed-trouser-snake / Your piece of pork , your wife''s best-friend , your passing or your cock / You can wrap it up in ribbons, you can stuff it in your sock / But don''t take-it out in public or they''ll stick you in the dock and you won''t come back .''
Paul (John Malkovich), a clown, and Marie (Madonna), an acrobat, in Shadows and Fog (1992). - Paul: ''Sometimes when you''re up on the high wire and I look at you you look so...'' - Marie: ''What?'' - Paul: ''Edible.'' - Marie: ''How hungry are you now?'' - Paul: ''I''m always famished after a performance. And you?'' - Marie: ''I can never sleep on an empty stomach.'' - Paul: ''Do you have a taste for anything special?'' - Marie: ''I''m not fussy. I eat what you put in front of me.''
Sung by Eric Idle in Monty Python. The Meaning of Life (1983): ''Isn''t it awfully nice to have a penis / Isn''t it frightfully good to have-it-on / It''s swell to have a stiffy / It''s divine to own a dick / From the tiniest little tadger to the world''s biggest prick / So, three cheers for your Willy or John-Thomas / Hooray for your one-eyed-trouser-snake / Your piece of pork , your wife''s best-friend , your passing or your cock / You can wrap it up in ribbons, you can stuff it in your sock / But don''t take-it out in public or they''ll stick you in the dock and you won''t come back .''

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