girl:

1. A female child.

2. A young woman , especially an unmarried one.

3. A daughter.

4. Any woman referred to familiarly.

5. A grown woman .

6. A girlfriend .

7. A female servant.

8. A male homosexual .
Etymology: From the Middle English girle entering the English language in the C13 ^th , where it initially meant a young person of either sex (a boy was a male servant). By the C14 ^th , girle meant a female child, a maiden, or a young woman (a boy was now young male).

See Also: achnutshik, aging actress, albedosynia, alphamegamia, anal sex, apartment girl, aphrodette, Athanasian wench, auto pimp, B & D, B-G, B-girl, babia majora, baby child, baby doll, bach night, bachelor girl, bachelor night, bachelor-woman, bad, bad girl, bad woman, bankside lady, barbecue, barbettes, bart, batch night, bathroom, beach bunny, beating fantasies, beauty, become a lady, beddies, bedmate, bemascopia, biddy, biff, bint, bird, birds and the bees, the, birthday party, bizzo, Blackout Romeo, blowen, blowzabelle, boff, bored, boy-crazy, bra, brassiere, bubbies and cunt, bubby circus, bumper, bumps, bunnies, bunny, business girl, busted cherry, bustier, busty, buxom, C-girl, C-lady, calf love, call flat, call girl, call-a-date, camp walk, canary, charity dame, charity moll, Charley, Charlie, charmer, chat down, chat up, cherry, cherry pie, cherry ripe, cherry-merry, chic, chick, chick fancier, chick-a-biddy, chick-pic, chickabiddy, chicken head, chickie, chicklet, chickybabe, chiclet, chin-strap, chippie, chippy, chunk of meat, cinch, cingulomania, cleft underside, cliner, clitoral detumescence, coddy-moddy, Colleen Bawn, colpkinophilia, Colt's tooth, cooker, cookie, core gender identity, corephallia, corephallism, corral, crash the breast fleet, crusher, cuddle and kiss, curb crawling, cute number, cutie pie, daddy, damaged goods, date of menarche, derrieroscopia, detumescence, detumescence of the clitoris, detumescence of the penis, dog, donkey kisser, doxy, drag, dreamboat, Dulcinea, earth moved, the, eirog, Elvira, escort, exotic dancer, face on a stick, facts of life, the, fag, fair game, fallen star, family, fancy, fancy lady, fast chick, fast lady, fast woman, fill out, fille de joie, fille de nuit, filly, fire the question, fishtail, flash piece, flirtatious, flirtigiggs, flirty, fluff, forbidden fruit, fox, frail, full-bosomed figure, full-figured, gaiety girl, gal, gay, gay girl, gay house, gay in the legs, gay woman, gaying instrument, gender identity, gentoo, get laid, get one's oil changed, GG, gill, Ginger, girl-crazy, girleen, girlfriend, girlie, girlish, give a girl a green gown, give-and-taker, glad girl, glamour girl, glitterbag, gold-digger, gold-digging, gold-miner, good-time girl, grandma, grimm's fairy, handsome, have a reputation, high postage, hippy-witch, hit and run guy, hit on (someone), hit-and-runner, ho, hoe, homely, homosocial, honey, hoochie, hootchie, hotty, house prostitute, hoydon, in drag, in-law, ish, It girl, ivory pearl, jade, jailhouse pussy, jelly, jerk, jill, johnson, karena, kiddy freak, korephile, laid, lecher, les girls, lesbian, little charmer, Lolita, lovelies, lovely, mackadocious, main, main bitch, main lady, main piece, make a move on, make a pass at, makeup, mash, mermaid, messer, minx, mixer, molly, molly house, molly shop, Molly's hole, money, mooky, moose, mot, mother of pearl, Mrs. Warren's girl, muff, nectar, non-conforming gender, nonconforming gender, nookie, nudie, nudie-cutie, nymph, nymphet, ocean pearl, oil change, old hen, old lady, old queen, on the make, on the snake, one of Mrs. Warren's girl, one-eyed snake, oomph girl, package, Page Three Girl, panties, parthenophobia, party girl, pebbles, peeler, pen bait, penile detumescence, pickup line, piece, pimp's corral, pin, pin-up, pine, pink, pinup, pinup girl, play with oneself, Playboy Bunny, Playboys Playmate, player, playing with oneself, playmate, pom-poms, ponce off, pony, poo-poo, pooh-pooh, pop the question, pre-woman, prostitute, prune person, puke, pussycat, put the make on someone, put the moves on someone, quack, quail, quicunque vult, rancid flower, reel in the biscuit, reno-it, Reno-vate, Reno-vation, respectable whore, rita, romp, round out, S.Q.Q., scab, scag, scank, scrag, screw up, secondary sex characteristics, sex bunny, sex kitten, sexual intercourse, sexual object, shakester, shickster, shiksa, shiksy, short-heeled wench, shunamitism, sissy, sister-in-law, sitter, skank, skeezer, skinz, sleaze, sleazy, slinger, snaking, soiled senior citizen, sperm, sperm-sucker, spinners, star-fucker, statutory rape, strassemaedchen, street girl, street pimp, street walker, street whore, street worker, streetwalker, streetwalking prostitute, stripper, strippo, stripster, striptease artist, stripteaser, sub-deb, sweater girl, swelling, tail chicken, take-out hooker, taxi driver, tease, tender chick, tenderoni, Thatcher's girls, thelyflorescence, tits, tits and ass, tittens, titter, toad, tomato, tomboy, tootsie, tootsy, torso-tosser, transcengender, transgendered, transgressively gendered, trog, turn (someone's) head, twirl, twist, twist and twirl, twixter, unfuckable, unspoken language (of love), V-girl, val, Varga(s) girl, virgin, virgin airlines, vulvette, wallet girl, wargasm, weaver, wench, wet dream, wheelchair set, whoopee fluff, whoopee wench, wife-in-law, wild baby, wild thing, wild woman, Wilma, winds do whirl, work from the book, working woman, Yankee heaven, yes, zebra'd, Ziegfeld girl, The, zimmer

Quotes Containing girl:
Algy Shaw (Bud Abbott) and Wellington Phlug (Lou Costello) in Pardon My Sarong (1942): - Algy: ''Wouldn''t you marry a pretty girl like that?'' - Phlug: ''No, I''d rather marry a homely girl .'' - Algy: ''Why?'' - Phlug: ''Well, if you marry a pretty girl like that, she''s liable to run away.'' - Algy: ''A homely girl is apt to run away too.'' - Phlug: ''Yeah, but who cares. ''
Algy Shaw (Bud Abbott) and Wellington Phlug (Lou Costello) in Pardon My Sarong (1942): - Algy: ''Wouldn''t you marry a pretty girl like that?'' - Phlug: ''No, I''d rather marry a homely girl .'' - Algy: ''Why?'' - Phlug: ''Well, if you marry a pretty girl like that, she''s liable to run away.'' - Algy: ''A homely girl is apt to run away too.'' - Phlug: ''Yeah, but who cares. ''
Janice (Jane Greer) to Lawrence Ballantine (Robert Young) in They Won''t Believe Me (1947): ''I''m not a Saturday afternoon girl , I''m an all or nothing girl .''
Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964): ''I''m a good girl , I am.''
Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964): ''I''m a good girl , I am.''
Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964): ''I''m a good girl , I am.''
Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964): ''I''m a good girl , I am.''
Susanna Kaysen (Winona Rider) in Girl, Interrupted (1999): ''What kind of sex isn''t casual?''
Janice (Jane Greer) to Lawrence Ballantine (Robert Young) in They Won''t Believe Me (1947): ''I''m not a Saturday afternoon girl , I''m an all or nothing girl .''
Janice (Jane Greer) to Lawrence Ballantine (Robert Young) in They Won''t Believe Me (1947): ''I''m not a Saturday afternoon girl , I''m an all or nothing girl .''
Lorna (Barbara Stanwyck) to Eddie (Joseph Calleia) in Golden Boy (1939): - Eddie Fuseli: ''Is this your girl?'' - Lorna Moon: ''I''m my mother''s girl .''
''Don''t you know that a man being rich is like a girl being pretty. You might not marry a girl because she''s pretty but my goodness, doesn''t it help.'' Lorelei Lee (Marilyn Monroe) in Gentlemen Prefer Blondes (1953)
Dr. Prokosch (Oscar Homolka) to his student Cathy (Kim Novak) who proposes to be the live-in girlfriend of three married men for her sociology thesis in Boys' Night Out (1962): - Prokosh: 'Can you look like yes and act like no? Can you entice them, lure them, then pospone, evade, delay? It needs a special kind of experience and skill. This a nice girl has not learned.' - Cathy: 'No. This is what a nice girl has learned best.'
Sally (Eleanor Hunt) and Henry (Eddie Cantor) in Whoopee (1930): - Sally : ''When is a good girl not a good girl?'' - Henry: ''Nine times out of ten .''
Sally (Eleanor Hunt) and Henry (Eddie Cantor) in Whoopee (1930): - Sally : ''When is a good girl not a good girl?'' - Henry: ''Nine times out of ten .''
Johnny (Michael Keaton) and a chorus-girl in Johnny Dangerously (1984): - Chorus girl : ''I''m not wearing a bra , Johnny.'' - Johnny Kelly: ''That makes two of us.''
Johnny (Michael Keaton) and a chorus-girl in Johnny Dangerously (1984): - Chorus girl : ''I''m not wearing a bra , Johnny.'' - Johnny Kelly: ''That makes two of us.''
Johnny (Michael Keaton) and a chorus-girl in Johnny Dangerously (1984): - Chorus girl : ''I''m not wearing a bra , Johnny.'' - Johnny Kelly: ''That makes two of us.''
Johnny (Michael Keaton) and a chorus-girl in Johnny Dangerously (1984): - Chorus girl : ''I''m not wearing a bra , Johnny.'' - Johnny Kelly: ''That makes two of us.''
Sally (Eleanor Hunt) and Henry (Eddie Cantor) in Whoopee (1930): - Sally : ''When is a good girl not a good girl?'' - Henry: ''Nine times out of ten .''
Sally (Eleanor Hunt) and Henry (Eddie Cantor) in Whoopee (1930): - Sally : ''When is a good girl not a good girl?'' - Henry: ''Nine times out of ten .''
Sheila/Red (Lana Turner) and Gil(bert) (James Stewart) in Ziegfeld Girl (1941): - Sheila : ''I''m a Ziegfeld girl!'' - Gilbert: ''You sound like a bottle of milk that just got certified.''
Sheila/Red (Lana Turner) and Gil(bert) (James Stewart) in Ziegfeld Girl (1941): - Sheila : ''I''m a Ziegfeld girl!'' - Gilbert: ''You sound like a bottle of milk that just got certified.''
Spike (Rhys Ifans) in Notthing Hill (1999): ''I knew a girl in school named Pandora. Never got to see her box though.''
Andrew (Tony Britton) to Robert (Peter Sellers) in There's a Girl in my Soup (1970): 'You treat your sex-life like a continuous wine tasting: rool them around and spit them out .'
Tess McGill (Melanie Griffith) to Jack Trainer (Harrison Ford) in Working Girl (1988): 'I have a head for business and a bod for sin .'
Lucille (Melanie Griffith) in Crazy in Alabama (1999): 'I'm the kind of girl who can resist anything but temptation .'
Jerry Travers (Fred Astaire) driving Dale Tremont''s (Ginger Rogers) hansom cab in Top Hat (1935): ''In dealing with a girl or horse, one lets nature take-its course.''
Jerry Travers (Fred Astaire) about Dale Tremont (Ginger Rogers) in Top Hat (1935): ''If I''d forgotten myself with that girl , I''d remember it .''
Vada Saltenfuss (Anna Chlumsky) in My Girl 2 (1994): ''Life''s full of babaric customs, but I hope they all end with a kiss like that.''
Vera (Della Reese), a madam in Harlem Nights (1989): ''I have a girl whose pussy is so good, if you threw it up in the air, it would turn into sunshine.''
Vera (Della Reese), a madam in Harlem Nights (1989): ''I have a girl whose pussy is so good, if you threw it up in the air, it would turn into sunshine.''
Young Vada (Anna Chlumsky) after a woman-to-woman talk about the facts of life with Shelley (Jamie Lee Curtis) in My Girl (1991): 'I think it should be outlawed. '
Patty O'Neill (Maggie McNamara) to Donald Gresham (William Holden) in The Moon is Blue (1953): 'Don't you think it's better for a girl to be preoccupied with sex than occupied?'
'What's a joint like this doing in a girl like you?' Dino's (Dean Martin) sexual innuendo in Kiss Me, Stupid (1954)
Robert Reisner & Lorraine Wechsler. Encyclopedia of Graffiti (1974): ''A nymphomaniac is a girl who likes every man to be in different.''
Molly Monahan (Barbara Stanwyck) to Jeff Butler (Joel McCrea) in Union Pacific (1939): ''Sure there will be some girl there to throw sheep''s eyes at you.''
In Love in the Afternoon (1957): ''A girl may look as pure as fresh-allen snow but suddenly you discover the footprints of a hundred men.''
Junior (Bob Hope) in Son of Paleface (1952): ''I like to kiss this girl because she has just the type of lips I like, one on top and one on the bottom .''
Maria Acuna (Rita Hayworth) to Robert Davis (Fred Astaire) in You Were Never Lovelier (1942): ''Am I the first girl you never kissed?''
Bernie Dodd (William Holden) in The Country Girl (1954): 'They all start out as Juliets and end up as Lady Macbeths.'
Bernie Dodd (William Holden) in The Country Girl (1954): ''They all start out as Juliets and end up as Lady Macbeths.''
Bernie Dodd (William Holden) in The Country Girl (1954): 'They all start out as Juliets and end up as Lady Macbeths.'
Egbert Souse (W.C.Field) in The Bank Dick (1940): ''I''m very fond-of children. Girl children, around eighteen and twenty.''
Alicia (Ingrid Bergman) to Devlin (Cary Grant) in Notorious (1946): ''Poor Dev, in-love-with a no-good girl .''
Robert Schimmel guest star on the Rodney Dangerfield comedy special Nothin'' Goes Right (1988): ''Some of these guys only like it if they think the girl doesn''t like it ; it''s some sort of weird power trip thing for these guys. It''s like anal-sex . I think if you really wanted to try that with a girl and she said: ''OK, but be really gentle because no one ever did anything like this to me before.'' You''d get the hard-on of a lifetime. But if she said: ''Give me that big dick and drive me around the block .'' You wouldn''t be able to get-it-up if there was money involved.''
Alicia (Ingrid Bergman) to Devlin (Cary Grant) in Notorious (1946): ''Poor Dev, in-love-with a no-good girl .''
Alicia (Ingrid Bergman) to Devlin (Cary Grant) in Notorious (1946): ''Poor Dev, in-love-with a no-good girl .''
Alicia (Ingrid Bergman) to Devlin (Cary Grant) in Notorious (1946): ''Poor Dev, in-love-with a no-good girl .''
''A beautiful girl is all-powerful and that''s as good as love .'' Paul (Michael Rapaport) in Beautiful Girls (1996)
Rebecca (Lori Petty) in Tank Girl (1994): ''It''s been swell, but the swelling''s gone down .''
Molly Monahan (Barbara Stanwyck) to Jeff Butler (Joel McCrea) in Union Pacific (1939): ''Sure there will be some girl there to throw sheep''s eyes at you.''
Mary Gray (Ginger Rogers) in Fifth Avenue Girl (1939): ''I guess rich people are only poor people with money .''
Spike (Rhys Ifans) in Notthing Hill (1999): 'I knew a girl in school named Pandora. Never got to see her box though.'
Prostitute Vantine (Jean Harlow) stranded in Indochina, introduces herself to rubber plantation workers McQuarg (Tully Marshall) and Dennis Carson (Clark Gable) in Red Dust (1932): ''I''m Pollyanna , the glad-girl .''
Prostitute Vantine (Jean Harlow) stranded in Indochina, introduces herself to rubber plantation workers McQuarg (Tully Marshall) and Dennis Carson (Clark Gable) in Red Dust (1932): ''I''m Pollyanna , the glad-girl .''
Mike Anthony (Clark Gable) falling in-love-with Sally Parker (Joan Crawford) in Love on the Run (1936): ''You''ve suddenly turned to be the only girl this side of the moon .''
Young Vada (Anna Chlumsky) after a woman-to-woman talk about the facts of life with Shelley (Jamie Lee Curtis) in My Girl (1991): 'I think it should be outlawed. '
''Sometimes I sing and dance around the house in my underwear . Doesn''t make me Madonna. Never will.'' Cyn(thia) (Joan Cusack) to her ambitious friend Tess McGill (Melanie Griffith) who is taking, in her opinion, a dangerous short-cut to success in Working Girl (1988)
The Girl (Marilyn Monroe) to Richard Sherman (Tom Ewell) in The Seven Year Itch (1955): ''You know , when it''s hot like this, you know what I do? I keep my undies in the icebox .''
Lena (Thelma Ritter) to Samantha (Joanne Woodward) in A New Kind of Love (1963): ''One thing a fellah doesn''t want from a girl is surprises. 40% of all divorce cases start on honeymoon night.''
Lena (Thelma Ritter) to Samantha (Joanne Woodward) in A New Kind of Love (1963): ''One thing a fellah doesn''t want from a girl is surprises. 40% of all divorce cases start on honeymoon night.''
Captain Francis Grose. Dictionary of the Vulgar Tongue (1811) as: ''The blowen was nutts upon the kiddey because he is well-hung ; the girl is pleased with the youth because his genitals are large.''
Lorelei Lee (Marilyn Monroe) to Dorothy Shaw (Jane Russell) who is in-love-with a cheap detective in Gentlemen Prefer Blondes (1953): - Lorelei: 'You don't want to end up with a loveless marriage , do you?' - Dorothy: 'Me?! Loveless?!' - Lorelei: 'That's right. Because if a girl spends all her time worrying about the money she doesn't have, how is she going to have any time for being in love? I want you to find happiness and stop having fun.'
Molly Monahan (Barbara Stanwyck) to Jeff Butler (Joel McCrea) in Union Pacific (1939): ''You think I''m an outrageous flirt . (...) But didn''t you ever know that flirting get''s into a woman''s blood like fighting get''s into a man''s? Now a girl begins coquetting to discover if she has the power. Then she goes looking, like a fighter after a bully , for the hardest man to conquer, but it''s never the man she wants, it''s the pleasure of bringing him to her feet.''
Charles (Timothy Hutton) who broke his engagement to Kate (Meg Ryan) after falling head-over-heels in-love-with a French girl in Paris in French Kiss (1995): - Charles: ''I feel so totally, horribly guilty.'' - Kate: ''Oh, listen, don''t feel guilty because then I''ll start feeling guilty that I made you feel guilty, and... You know , actually, that was the old me. Just feel guilty. Swim in it till your fingers get all pruny.''
Harry Anders (Michael Caine) and Stacey Mensdorf (Sean Young) in Blue Ice (1992): - Harry: 'I knew a girl like you once and I felt the same way about her as I feel about you. I didn't know whether to love her or hate her.' - Stacey: 'So what did you do?' - Harry: 'A little of both.'
Frank Broderick (Henry Fonda) and Bob Weston (Tony Curtis) in Sex and the Single Girl (1964): - Frank: 'What do you call-it when you hate the woman you love?' - Bob: 'A wife .'
Ronald (Groucho Marx) and Beatrice (Lisette Verea) in A Night in Casablanca (1946): - Ronald Kornblow: ''You''re the most beautiful girl I''ve ever seen.'' - Beatrice Reiner: ''Am I really?'' - Ronald Kornblow: ''No, but I don''t mind lying if it''s going to get me somewhere.''
''Dress sharply, they notice the dress, dress impeccably, they notice the woman . Coco Chanel.'' Katherine Parker (Sigourney Weaver) quoting Coco Chanel to Tess McGill (Melanie Griffith) in Working Girl (1988)
''When a girl is under twenty-one, she''s protected by law. When she''s over sixty-five, she''s protected by nature. Anywhere in-between , she''s fair-game .'' Captain Matt Sherman (Cary Grant) in Operation Petticoat (1959)
''The difference between a lady and a flower girl is not how she behaves but how she is treated.'' Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964)
''Dress sharply, they notice the dress, dress impeccably, they notice the woman . Coco Chanel.'' Katherine Parker (Sigourney Weaver) quoting Coco Chanel to Tess McGill (Melanie Griffith) in Working Girl (1988)
''The difference between a lady and a flower girl is not how she behaves but how she is treated.'' Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964)
''When a girl is under twenty-one, she''s protected by law. When she''s over sixty-five, she''s protected by nature. Anywhere in-between , she''s fair-game .'' Captain Matt Sherman (Cary Grant) in Operation Petticoat (1959)
''Dress sharply, they notice the dress, dress impeccably, they notice the woman . Coco Chanel.'' Katherine Parker (Sigourney Weaver) quoting Coco Chanel to Tess McGill (Melanie Griffith) in Working Girl (1988)
''The difference between a lady and a flower girl is not how she behaves but how she is treated.'' Eliza Doolittle (Audrey Hepburn) in My Fair Lady (1964)
''When a girl is under twenty-one, she''s protected by law. When she''s over sixty-five, she''s protected by nature. Anywhere in-between , she''s fair-game .'' Captain Matt Sherman (Cary Grant) in Operation Petticoat (1959)
Sgt. Martin Riggs (Mel Gibson) flirting with Rika Van Den Haas (Patsy Kensit), in Lethal Weapon 2 (1989): 'Come on , be original. Say yes . Everybody else says no .' W.C. Fields, as Professor Henry R. Quail, had a similar line in International House (1933). The hotel is full and he's looking for someone to bunk with. To Peggy Hopkins Joyce (as herself) he says: ?Here's a chance to have a laugh on every other girl in the world .?
Eve (Eva Marie Saint) and Roger (Cary Grant) in North by Northwest (1959): - Eve Kendall: ''I''m a big girl!'' - Roger Thornhill: ''Yeah! In all the right places to.''
Lena (Thelma Ritter) to Sam/Samantha (Joanne Woodward) in A New Kind of Love (1963): ''One thing a fellah doesn''t want from a girl is surprises. Forty percent of all divorce cases start on honeymoon night.''
Harry Anders (Michael Caine) and Stacey Mensdorf (Sean Young) in Blue Ice (1992): - Harry: ''I knew a girl like you once and I felt the same way about her as I feel about you. I didn''t know whether to love her or hate her.'' - Stacey: ''So what did you do?'' - Harry: ''A little of both.''
Frank Broderick (Henry Fonda) and Bob Weston (Tony Curtis) Sex and the Single Girl (1964): - Frank: ''What do you call-it when you hate the woman you love?'' - Bob: ''A wife .''
Harry Anders (Michael Caine) and Stacey Mansdorf (Sean Young) in Blue Ice (1992): - Harry:''I knew a girl like you once and I felt the same way about her as I feel about you. I didn''t know whether to love her or hate her.'' - Stacey:''So what did you do?'' - Harry:''A little of both.''
Lucy McFadden (Quinn Cummings) and Elliot Garfield (Richard Dreyfuss) in The Goodbye Girl (1977): - Lucy: ''Boy! You don''t think much of yourself, do you?!'' - Elliot: ''Pound for pound , I''ve got the biggest ego this side of St. Louis.''
Jerry (Jack Lemmon) disquised as a woman in Some Like It Hot (1959): ''We wouldn''t be caught dead with men. Rough, hairy beasts. Eight hands. And they all want just one thing from a girl .''
Jerry (Jack Lemmon) disquised as a woman in Some Like It Hot (1959): ''We wouldn''t be caught dead with men. Rough, hairy beasts. Eight hands. And they all want just one thing from a girl .''
Lucy McFadden (Quinn Cummings) about Elliot Garfied (Richard Dreyfuss) in The Goodbye Girl (1977): ''I think he''s kind of cute . He reminds me of a dog that nobody wants.''
Alabama (Patricia Arquette) to Clarence Worley (Christian Slater) in True Romance (1993): ''Please shut up! I''m trying to come-clean , okay? I''ve been a call-girl for exactly four days and you''re my third customer. I want you to know that I''m not damaged-goods . I''m not what they call Florida white trash. I''m a good person and when it comes to relationships, I''m one-hundred percent, I''m one hundred percent... monogamous .''
Lena O''connor (Thelma Ritter) to Samantha Blake (Joanne Woodward) in A New Kind of Love (1963): ''One thing a fellah doesn''t want from a girl is surprises. Forty percent of all divorce cases start on honeymoon night.''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Bob Weston (Tony Curtis) to psychologist Helen Gurley Brown (Natalie Wood) in Sex and the Single Girl (1964): ''She''d hit the ceiling if she thought you and me were sitting here alone. You know what she''d figure? She''d figure a broad as pretty as you as got to be on-the-make .''
David Slater (David Niven) in The Moon is Blue (1953): ''I wonder why it is that young men are always cautioned against bad girls? Anyone can handle a bad-girl ; it''s the good girls men ought to be warned against.''
David Slater (David Niven) in The Moon is Blue (1953): ''I wonder why it is that young men are always cautioned against bad girls? Anyone can handle a bad-girl ; it''s the good girls men ought to be warned against.''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Tommy (Rudy Vallee), Margaret (Myrna Loy) in The Bachelor and the Bobby-Soxer (1947) - Tommy: ''A girl her age is entitled to growing pains.'' - Margaret: ''Susan''s growing pains are rapidly becoming a major disease.''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
David Slater (David Niven) in The Moon is Blue (1953): ''I wonder why it is that young men are always cautioned against bad girls? Anyone can handle a bad-girl ; it''s the good girls men ought to be warned against.''
David Slater (David Niven) in The Moon is Blue (1953): ''I wonder why it is that young men are always cautioned against bad girls? Anyone can handle a bad-girl ; it''s the good girls men ought to be warned against.''
Miss Sharon Stone (Halle Berry) to Fred Flintstone (John Goodman) in The Flintstones (1994): ''I''ve been a very bad-girl , but you have to admit I was very, very good at-it .''
Lt. Dan Brent (John Wayne) and Bijou Blanche (Marlene Dietrich) in Seven Sinners (1940): - Lt. Brent: ''Imagine finding you here.'' - Bijou: ''I''m the type of girl you''re liable to find anywhere.''
Kirbo (Emilio Estevez) in St. Elmo''s Fire (1985): ''She''s not just a girl . She''s the only evidence of God that I can find on this entire planet, with the exception of the mystical force that removes one of my socks from the dryer every time I do the laundry .''
Eve (Eva Marie Saint) and Roger (Cary Grant) in North by Northwest (1959): - Eve Kendall: ''I''m a big girl!'' - Roger Thornhill: ''Yes! In all the right places to.''
Lorene/Alma Burke (Donna Reed) to Robert E. Lee Prewitt (Montgomery Clift) in From Here to Eternity (1953): ''I''m the girl you met at the New Congress Club. That''s two steps up from the pavement.''
Agnes (Veda Ann Borg) about Richard Nugent (Cary Grant) in The Bachelor and Bobby-Soxer (1947): ''There''s a guy who never goes out of a girl''s mind. He just stays there like a heavy meal.''
Connie (Audrey Meadows) about Cathy (Doris Day) in That Touch of Mink (1962): ''She''s going to spend the rest of her life saing: ''I''m not that kind of a girl''. I''m only afraid that some day, before she''s finished saying it , she will be.''
Lena O''connor (Thelma Ritter) to Samantha ''Sam'' Blake (Joanne Woodward) in A New Kind of Love (1963): ''One thing a fellah doesn''t want from a girl is surprises. Forty percent of all divorce cases start on honeymoon night.''
Virgil Starkwell (Woody Allen) in Take the Money and Run (1969): 'In prison, I remember this psychiatrist asked if I had a girl and I said no . And he said: Do you think sex is dirty? And I said it is if you do-it right.'
Boxer Eddie ''Kid Natural'' Scanlon (Ryan O''Neil) to Hillary Kramer (Barbra Streisand) in The Main Event (1979): ''You''re treating me like an object. What do you think I am? A girl?''
Mick Dugan (Alec Baldwin) and Tess McGill (Melanie Griffith) in Working Girl (1988): - Mick: ''Who the fuck died and made you Grace Kelly?'' - Tess: ''I''m not steak . You cannot just order me.''
Boxer Eddie ''Kid Natural'' Scanlon (Ryan O''Neil) to Hillary Kramer (Barbra Streisand) in The Main Event (1979): ''You''re treating me like an object. What do you think I am? A girl?''
Mick Dugan (Alec Baldwin) and Tess McGill (Melanie Griffith) in Working Girl (1988): - Mick: ''Who the fuck died and made you Grace Kelly?'' - Tess: ''I''m not steak . You cannot just order me.''
Larry Burrows (James Belushi) and his father Harry (Pat Corley) watching a very beautiful girl go by in Mr. Destiny (1990): - Larry: ''Sometimes I get the distinct feeling I''m missing out on something.'' - Harry: ''Well, what she''s got she''s got plenty you don''t need.''
Larry Burrows (James Belushi) and his father Harry (Pat Corley) watching a very beautiful girl go by in Mr. Destiny (1990): - Larry: ''Sometimes I get the distinct feeling I''m missing out on something.'' - Harry: ''Well, what she''s got she''s got plenty you don''t need.''
Connie Randall (Carole Lombard) to Jerry 'Babe' Stewart (Clark Gable) in No Man of Her Own (1932): 'Just a New York cowboy , aren't you? Passing through and giving the little small town girl her big-moment . You'd be lovely to have around just to sprinkle the flowers with your personality.'
Ted (Lawrence Monoson) in Friday the 13th: The Final Chapter (1984): 'Jimbo, calling Betty is definitely a dead fuck thing to do .Look, first rule of love : never get rejected by the same girl twice, I mean that's useless. If you want to make a fool out of yourself, always do-it with someone new.' SOMETIMES MEANNESS AND REJECTION IS FLIRTING IN DISGUISE
Bernie Dodd (William Holden) and Georgie Elgin (Grace Kelly) in The Country Girl (1954) - Bernie:'Why is it that women always think they understand men better than men do?' - Georgie:'Maybe because they live with them.'
Virgil Starkwell (Woody Allen) in Take the Money and Run (1969): 'In prison, I remember this psychiatrist asked if I had a girl and I said no . And he said: Do you think sex is dirty? And I said it is if you do-it right.'
Wayne Carter (Dick Foran) and Flower Belle Lee (Mae West) in My Little Chickadee (1940): - Wayner: 'I don't like to see a girl like you go into Badger's. It's a sordid place full of temptations. ' - Flower Belle: 'I generally avoid temptation unless I can't resist it .'
The Girl (Marilyn Monroe) to Richard Sherman (Tom Ewell) in The Seven Year Itch (1955): ''You know , when it''s hot like this, you know what I do? I keep my undies in the icebox .''

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