jane:

1. Or: Jane , any woman ; an average woman .

2. Or: Jane , a personification of the vagina by women. See also: personification .

3. A prostitute's female customer.

4. A women's toilet .

See Also: 24/7/365, Barbarella, cock sucker, cocksucker, crazy about, face fucking, face job, give face, hooker, inhibition, jaisy, jane, Jane Doe, Jane Q. Citizen, Jane Q. Public, jazz baby, jazzed-up jane, jazzy jane, jazzy member, jazzy number, personification, poo-poo, pooh-pooh, private parts, sex symbol, stare, twenty-four seven

Quotes Containing jane:
Dick Harper (George Segal) and Jane (Jane Fonda) in Fun with Dick and Jane (1977): - Dick: ''Would you be embarassed if I kissed you in a public place?'' - Jane: ''I''d be embarassed if you kissed me in a private place with all these people around.''
Dick Harper (George Segal) and Jane (Jane Fonda) in Fun with Dick and Jane (1977): - Dick: ''Would you be embarassed if I kissed you in a public place?'' - Jane: ''I''d be embarassed if you kissed me in a private place with all these people around.''
Calamity Jane (Doris Day) speaking of Wild Bill Hickok (Howard Keel) in Calamity Jane (1953): 'Getting better acquainted with him is like making a pet out of a polecat .'
Wyatt Earp (James Garner) about Calamity Jane in Sunset (1988): ''Mary Jane Canary was a dear and selfless woman , but she looked like an unmade bed .''
Wyatt Earp (James Garner) about Calamity Jane in Sunset (1988): ''Mary Jane Canary was a dear and selfless woman , but she looked like an unmade bed .''
Julie Benton (Jane Russell) to Nick Cochran (Robert Mitchum) in Macao (1952): ''You annoyed me a little when you belted me with that blonde.''
Janice (Jane Greer) to Lawrence Ballantine (Robert Young) in They Won''t Believe Me (1947): ''I''m not a Saturday afternoon girl , I''m an all or nothing girl .''
Hannah Warren (Jane Fonda) to her ex-husband Bill (Alan Alda) in California Suite (1978): ''I don''t have a lifestyle, I have a life .''
Daryl Van Horne (Jack Nicholson) to Jane Spofford (Susan Sarandon) in The Witches of Eastwick (1987): ''Men are such cocksuckers, aren''t they?''
Dr. Arnold (Samuel S. Hinds) to Dr. Jane Everest (Claudette Colbert) in Private Worlds (1935): ''We hate the people we love because they are the only ones who can hurt us.''
Dr. Arnold (Samuel S. Hinds) to Dr. Jane Everest (Claudette Colbert) in Private Worlds (1935): ''We hate the people we love because they are the only ones who can hurt us.''
Janice (Jane Greer) to Lawrence Ballantine (Robert Young) in They Won''t Believe Me (1947): ''I''m not a Saturday afternoon girl , I''m an all or nothing girl .''
Janice (Jane Greer) to Lawrence Ballantine (Robert Young) in They Won''t Believe Me (1947): ''I''m not a Saturday afternoon girl , I''m an all or nothing girl .''
Violet (Lily Tomlin) to Judy (Jane Fonda) and Dora Lee (Dolly Parton) in 9-to-5 (1981): ''Let''s face it , we''re in a pink-colored ghetto.''
Billy the Kid (Jack Beutel) speaking of Rio MacDonald (Jane Russell) in The Outlaw (1943):'I wouldn't come back two inches to get her.'
Dorothy Shaw (Jane Russell) in Gentlemen Prefer Blondes (1953): 'I like a man who can run faster than I can .'
Ambrose Bierce (Gregory Peck) to Harriet Winslow (Jane Fonda) in Old Gringo (1989): 'Man, as you know , is one of the most pathetic creatures on earth, condemned to a desire that contradicts all the laws of nature, to close the gap between two human beings. Some call this desire of love , and it is desperately impossible to satisfy.'
Junior (Bob Hope) and Ebeneezer (Paul E. Burns) speaking about Mike (Jane Russell) a performer in Son of Paleface (1952): - Junior: ''She''s really got it!'' - Ebeneezer: ''She''s got what?'' - Junior: ''I don''t know but if we could bottle it we could make a fortune.''
Junior (Bob Hope) and Ebeneezer (Paul E. Burns) speaking about Mike (Jane Russell) a performer in Son of Paleface (1952): - Junior: ''She''s really got it!'' - Ebeneezer: ''She''s got what?'' - Junior: ''I don''t know but if we could bottle it we could make a fortune.''
Corey (Jane Fonda) to her new husband Paul in Barefoot in the Park (1967): 'Paul, I think I'm gonna be a lousy wife . But don't be angry with me. I love you very much... and I'm very sexy!'
Paul Bratter (Robert Redford) and his wife Corey (Jane Fonda) in Barefoot in the Park (1967): - Paul: 'You want me to be rich and famous, don't you?' - Corey: 'During the day. At night I want you to be here and sexy .'
Aaron Altman (Albert Brooks) to Jane Craig (Holly Hunter) in Broadcast News (1987): ''Wouldn''t this be a great world if insecurity and desperation made us more attractive , if needy were a turn-on.''
Violet (Lily Tomlin) to Dora Lee (Dolly Parton) and Judy (Jane Fonda) in 9-to-5 (1981): ''What are you? A man or a mouse? I mean, a woman or a wouse?''
Sung by Marilyn Monroe and Jane Russell in Gentlemen Prefer Blondes (1953): 'When love goes wrong, nothing goes right. Bees won't buzz , fish won't bite , clock won't strike, a match won't light .'
Doc Holiday (Walter Huston) to Rio MacDonald (Jane Russell) after Billy the Kid tied her with wet rawhide and left her in the sun to die in The Outlaw (1943): 'The crazier a man is about a woman , the crazier he thinks and the crazier he does. '
Murderer Peter Cable (Charles Cioffi) to prostitute Bree Daniels (Jane Fonda) in Klute (1971): ''You''re all obviously too lazy and too warped to do anything meaningful with your life so you pray on the sexual fantasies of others. That''s your stock and trade , isn''t it , a man''s weakness and I was never fully aware of mine until you brought them out .''
Murderer Peter Cable (Charles Cioffi) to prostitute Bree Daniels (Jane Fonda) in Klute (1971): ''You''re all obviously too lazy and too warped to do anything meaningful with your life so you pray on the sexual fantasies of others. That''s your stock and trade , isn''t it , a man''s weakness and I was never fully aware of mine until you brought them out .''
Lt. Frank Drebin (Leslie Nielsen) breaking up with Jane (Priscilla Presley) in The Naked Gun. From the Files of Police Squad! (1988): 'By the way , I faked every orgasm .'
Lt. Frank Drebin (Leslie Nielsen) breaking up with Jane (Priscilla Presley) in The Naked Gun. From the Files of Police Squad! (1988): ''By the way , I faked every orgasm .''
n their first meeting, both Douglas Hall (Craig Bierko) and Jane Fuller (Gretchen Mol) have a feeling of dja vu in The Thirteenth Floor (1999): ''They say that dja vu is usually a sign of love-at-first-sight .''
''You know something? When a woman looks as pretty as sunup, then she''s really pretty.'' Ben Allison (Clark Gable) to Nella Turner (Jane Russell) in The Tall Men (1955)
Jane (Susan Sarandon) on penis-sizes in The Witches of Eastwick (1987): ''I prefer small. I do . Aesthetically, I prefer small. Sam was huge and there were times when I just could not face it .''
Lt. Frank Drebin (Leslie Nielsen) describing Jane Spencer (Priscilla Presley) in The Naked Gun (1988): ''Her hair was the color of gold in old paintings. She had a full set of curves and the kind of legs you''d kinda love to suck on for a day. She was giving me a look I could feel in my hip pocket.''
Nella Turner (Jane Russell) to Stack (Robert Ryan) in The Tall Men (1955): ''You know , for a fellah who doesn''t do much talking, you''ve got real busy eyes . It''s not that I mind being stared at. That''s part of being a female. But I don''t like to be weighed, measured and counted.''
Jane (Susan Sarandon) on penis-sizes in The Witches of Eastwick (1987): ''I prefer small. I do . Aesthetically, I prefer small. Sam was huge and there were times when I just could not face it .''
Jane Parker (Maureen O''Sullivan) to Martin Arlington (Paul Cavanaugh) after changing from her skimpy costume of skins into a Paris evening gown in Tarzan and His Mate (1934): ''Woman''s greatest weapon is man''s imagination .''
Jane Parker (Maureen O''Sullivan) to Martin Arlington (Paul Cavanaugh) after changing from her skimpy costume of skins into a Paris evening gown in Tarzan and His Mate (1934): ''Woman''s greatest weapon is man''s imagination .''
Margaret Reynolds (Barbra Streisand) to her nagging overbearing mother Mrs. Yussim (Jane Hoffman) in Up the Sandbox (1972): ''If this is what it''s like to be a mother I''ll turn in my ovaries.''
Margaret Reynolds (Barbra Streisand) to her nagging overbearing mother Mrs. Yussim (Jane Hoffman) in Up the Sandbox (1972): ''If this is what it''s like to be a mother I''ll turn in my ovaries.''
Lt. Frank Drebin (Leslie Nielsen) describing Jane Spencer (Priscilla Presley) in The Naked Gun (1988): ''Her hair was the color of gold in old paintings. She had a full set of curves and the kind of legs you''d kinda love to suck on for a day. She was giving me a look I could feel in my hip pocket.''
Cousin Vicki (Jane Krakowski) and Audrey Griswold (Dana Barron) in Vacation (1983): - Vicki: ''I''m going steady , and I French-kiss .'' - Audrey: ''So? Everybody does that.'' - Vicki: ''Yeah, but Daddy says I''m the best at-it .''
Corey (Jane Fonda) and Paul (Robert Redford) at the Plaza Hotel in Barefoot in the Park (1967): - Corey: ''Paul, if the honeymoon doesn''t work out let''s not get divorced, let''s kill each other.'' - Paul: ''Let''s have the maid do-it . I hear the service here is wonderful.''
Jane Parker (Maureen O''Sullivan) to Martin Arlington (Paul Cavanaugh) after changing from her skimpy costume of skins into a Paris evening gown in Tarzan and His Mate (1934): ''Woman''s greatest weapon is man''s imagination .''
Junior (Bob Hope) and Ebeneezer (Paul E. Burns) speaking about Mike (Jane Russell) a performer in Son of Paleface (1952): - Junior: ''She''s really got it!'' - Ebeneezer: ''She''s got what?'' - Junior: ''I don''t know but if we could bottle it we could make a fortune.''
Aaron Altman (Albert Brooks) to Jane Craig (Holly Hunter) in Broadcast News (1987): 'Wouldn't this be a great world if insecurity and desperation made us more attractive , if needy were a turn-on.'
Jane Burnham (Thora Birch) to her father Lester (Kevin Spacey) in American Beauty (1999): ''I need a father who''s a role model, not some horny geek-boy who''s gonna spray his shorts every time I bring a girlfriend home from school.''
Mrs Yussim (Jane Hoffman) to Margaret Reynolds (Barbra Streisand) in Up the Sandbox (1972): 'Remember, marriage is a seventy-five, twenty-five proposition . The woman gives seventy-five.'
Lorelei Lee (Marilyn Monroe) to Dorothy Shaw (Jane Russell) who is in-love-with a cheap detective in Gentlemen Prefer Blondes (1953): - Lorelei: 'You don't want to end up with a loveless marriage , do you?' - Dorothy: 'Me?! Loveless?!' - Lorelei: 'That's right. Because if a girl spends all her time worrying about the money she doesn't have, how is she going to have any time for being in love? I want you to find happiness and stop having fun.'
Jane (Susan Sarandon) on penis-sizes in The Witches of Eastwick (1987): ''I prefer small. I do . Aesthetically, I prefer small. Sam was huge and there were times when I just could not face it .''
Prymaat Conehead (Jane Curtin) having a chit-chat about Men!! with her neighbor in Coneheads (1993): - Neighbor: 'All men are pigs!' - Prymaat: 'Ah, pigs: an omnivorous, domesticated, cloven hoof vertibrate that defecates the same place it consumes.' - Neighbor: 'Exactly.'
''Tom, there''s a whole lot I don''t understand, but going away ain''t going to ease us. There was a time, when we were on the land, there was a boundary to us then. Old folks died off and little fellahs came. We was always one thing . We was the family . Kind of whole and clear. But now we ain''t clear no more. There ain''t nothing that keeps us clear. (...) We''re cracking up , Tom. There ain''t no family now.'' Ma Joad (Jane Darwell) to her son Tom (Henry Fonda) in The Grapes of Wrath (1940)

Link to this page:

Word Browser