whole:

A Renaissance and Elizabethan pun on hole , the vagina .

SEE ALSO: whole-voyage ; wholesale . See vagina for synonyms.

QUOTES:

(1) Harry Bliss (Jack Nicholson) to Joan Spruance (Ellen Barkin) in Man Trouble (1992): ' I'm not one of these guys who's going to look upon you as an object (...) because I look upon a woman as a whole .'

(2) Carrie (Courtenay Cox) and David (Arye Gross) in The Opposite Sex (1993):
-- Carrie Davenport: ' You should learn to view women as a whole .'
-- David Crown: ' Hey! Listen, I'm way too enlightened to look at a woman like that .'

See Also: ablatio penis, acrotometophilia, acrotomophilia, amelotasis, amputation fetish(ism), amputee fetish(ism), available, catchable, eligible, fancy-free, fetish, gammon flaps, gammon goalposts, haveable, heart-free, hole, incest, incest taboo, philantropy, screw up, sex object, unattached, up for grabs, whole, wholesale

Quotes Containing whole:
Marlo Manners (Mae West) in Sextette (1978): 'Marriage is like a book. The whole story takes place between covers. '
''Tom, there''s a whole lot I don''t understand, but going away ain''t going to ease us. There was a time, when we were on the land, there was a boundary to us then. Old folks died off and little fellahs came. We was always one thing . We was the family . Kind of whole and clear. But now we ain''t clear no more. There ain''t nothing that keeps us clear. (...) We''re cracking up , Tom. There ain''t no family now.'' Ma Joad (Jane Darwell) to her son Tom (Henry Fonda) in The Grapes of Wrath (1940)
Graffito: ''Kinky is using a feather. Perverted is using the whole chicken .''
Aldonza (Sophia Loren) in Man of La Mancha (1972): ''The worst crime of all - being born. For that you get punished your whole life .''
Crossdressers Jerry/Daphne (Jack Lemmon) to Joe/Josephine (Tony Curtis) in Some Like It Hot (1959): 'I tell you, it's a whole different sex .'
Carrie Davenport (Courtenay Cox) and David Crown (Arye Gross) meeting in a basement bar where clients use a periscope to view passing women''s legs in The Opposite Sex. And How to Live With Them (1993): - Carrie: ''It''s not polite to spy.'' - David: ''I wasn''t spying. I was leering. '' - Carrie: ''You know , this thing reinforces bad viewing habits. You should learn to look at a woman as a whole .'' - David: ''Hey, listen, I''m way to enlightened to look at a woman like that.'' - Carrie: ''I meant as opposed to just half.'' - David: ''It''s a periscope in a bar . Lighten up!'' - Carrie: ''You just shouldn''t look at women as objects.'' - David: ''Oh, now, you see , I was looking at women objectively.'' - Carrie: ''You know , I don''t care for semantics.'' - David: ''Oh, too bad , I''m Jewish. May I buy you a drink?'' - Carrie: ''I don''t think so.'' - David: ''The whole you?''
Carrie Davenport (Courtenay Cox) and David Crown (Arye Gross) meeting in a basement bar where clients use a periscope to view passing women''s legs in The Opposite Sex. And How to Live With Them (1993): - Carrie: ''It''s not polite to spy.'' - David: ''I wasn''t spying. I was leering. '' - Carrie: ''You know , this thing reinforces bad viewing habits. You should learn to look at a woman as a whole .'' - David: ''Hey, listen, I''m way to enlightened to look at a woman like that.'' - Carrie: ''I meant as opposed to just half.'' - David: ''It''s a periscope in a bar . Lighten up!'' - Carrie: ''You just shouldn''t look at women as objects.'' - David: ''Oh, now, you see , I was looking at women objectively.'' - Carrie: ''You know , I don''t care for semantics.'' - David: ''Oh, too bad , I''m Jewish. May I buy you a drink?'' - Carrie: ''I don''t think so.'' - David: ''The whole you?''
Harry Bliss (Jack Nicholson) to Joan Spruance (Ellen Barkin) in Man Trouble (1992): ''I''m not one of these guys who''s going to look upon you as an object because I look upon a woman as a whole .''
Harry Bliss (Jack Nicholson) to Joan Spruance (Ellen Barkin) in Man Trouble (1992): ''I''m not one of these guys who''s going to look upon you as an object because I look upon a woman as a whole .''
''This is the kind of woman that makes whole civilizations topple.'' Miss Bragg (Kathleen Howard) speaking of Sugarpuss O''Shea (Barbara Stanwyck) in Ball of Fire (1941).
''This is the kind of woman that makes whole civilizations topple.'' Miss Bragg (Kathleen Howard) speaking of Sugarpuss O''Shea (Barbara Stanwyck) in Ball of Fire (1941).
Therapist Dr. Ben Sobel (Billy Crystal) and mafia boss Paul Viti (Robert De Niro) in Analyze This (1999): - Dr. Ben Sobel: ''You flew all-the-way to Miami because you were unable to have an erection? You know you can take a pill for that.'' - Paul Viti: ''Nah, a pill''s cheating . You start with that, the next thing you know you''re installing a whole hydraulic system down-there . A hard-on should be achieved naturally or not at all.''
Harry Bliss (Jack Nicholson) to Joan Spruance (Ellen Barkin) in Man Trouble (1992): ''I''m not one of these guys who''s going to look upon you as an object (...) because I look upon a woman as a whole .''
Carrie (Courtenay Cox) and David (Arye Gross) in The Opposite Sex (1993): - Carrie Davenport: ''You should learn to view women as a whole .'' - David Crown: ''Hey! Listen, I''m way too enlightened to look at a woman like that.''
From Encyclopedia of Graffiti by Robert Reisner & Lorraine Wechsler (1974): - ''Incest, a game the whole family can play.'' - ''Call it incest , but I want my mommy.'' - ''Incest is relative.'' - ''Vice is nice, but incest is best.''
Therapist Dr. Ben Sobel (Billy Crystal) and mafia boss Paul Viti (Robert De Niro) in Analyze This (1999): - Dr. Sobel: 'You flew all-the-way to Miami because you were unable to have an erection? You know you can take a pill for that.' - Paul Viti: 'Nah, a pill's cheating . You start with that, the next thing you know you're installing a whole hydraulic system down-there . A hard-on should be achieved naturally or not at all.'
Sylvia/Sylvester Scarlett (Katharine Hepburn) to the young painter Michael Fane (Brian Aherne) in Sylvia Scarlett (1936): - Sylvia: ''Because I love you!'' - Michael: ''But, I never guessed!'' - Sylvia: ''Never guessed that I adored you? Never guessed that you made the whole world different for me?''
Isabel Lorrison (Ava Gardner) to Brandon Bourne (James Mason) in East Side, West Side (1949): ''Maybe it wasn''t love , maybe it was only chemistry , or the right combination, or a miracle, but most people drag through their whole lives without finding it .''
Karla Jackson (Annie Potts) and hubby Duane (Jeff Bridges) in a hot tub in Texasville (1990): - Karla: ''Duane, why are poking that gun in the water?'' - Duane: ''I was thinking of shooting my dick off . It''s caused nothing but trouble my whole life .''
Emily Ann Faulker/Rita Shawn (Kim Stanley) in The Goddess (1958): ''You know , my first husband used to tell me about how lonely he felt. Now I know what he meant. It''s like the whole world is off someplace else, like an echo.''
Burt Simpson (Dabney Coleman) in Short Time (1990): ''You can''t spend your whole life planning what will make you happy tomorrow, or you''ll never be happy today. You''ve got to do-it now.''
'I'm not one of these guys who's going to look upon you as an object (...) because I look upon a woman as a whole .' Harry Bliss (Jack Nicholson) to Joan Spruance (Ellen Barkin) in Man Trouble (1992)
''The whole story of my life : frustration. It''s a chronic disease and it''s incurable.'' Old professor Wutheridge (Monty Woolley) to Dudley (Cary Grant) and Julia (Loretta Young) in The Bishop''s Wife (1947):
Miss Bragg (Kathleen Howard) speaking of Sugarpuss O''Shea (Barbara Stanwyck) in Ball of Fire (1941): ''If I were the cream-for that woman''s coffee, I''d curdle.'' And later: ''This is the kind of woman that makes whole civilizations topple.''
Miss Bragg (Kathleen Howard) speaking of Sugarpuss O''Shea (Barbara Stanwyck) in Ball of Fire (1941): ''If I were the cream-for that woman''s coffee, I''d curdle.'' And later: ''This is the kind of woman that makes whole civilizations topple.''
Rhett Butler (Clark Gable) to Scarlett O''Hara (Vivien Leigh) in Gone with the Wind (1939): ''I love you Scarlett. In spite of you and me and the whole silly world going to pieces around us. I love you because we''re alike, bad lots the both of us, selfish and shrewd, but able to look things in the eyes and call them by their right names. (...) Scarlett! Look at me. I''ve loved you more than I''ve ever loved any woman and I''ve waited longer for you than I''ve ever waited for any woman . (...) Here''s a soldier of the South who loves you, Scarlett, wants to feel your arms around him, wants to carry the memory of your kisses into battle with him. Never mind about loving me. You''re a woman sending a soldier to his death with a beautiful memory. Scarlett, kiss me, kiss me, once.''
Captain Rhett Butler (Clark Gable) to Scarlett O'Hara (Vivien Leigh) in Gone with the Wind (1939): 'I love you Scarlett. In spite of you and me and the whole silly world going to pieces around us. I love you because we're alike, bad lots the both of us, selfish and shrewd, but able to look things in the eyes and call them by their right names. Scarlett! Look at me. I've loved you more than I've ever loved any woman and I've waited longer for you than I've ever waited for any woman . Here's a soldier of the South who loves you, Scarlett, wants to feel your arms around him, wants to carry the memory of your kisses into battle with him. Never mind about loving me. You're a woman sending a soldier to his death with a beautiful memory. Scarlett, kiss me, kiss me, once.'
Lawrence Paros. The Erotic Tongue (1984): ''Unfortunately, the only question he [the male] has in mind is: Is she easy (since 17th C), loose (since 15th C), fast (18th C), swift (late 19-20th C), speedy (c. 1923), light (14th C), or convenient (19thC)? Does she go all the way(mid-20th C), the whole route (19-20th C), or the limit (c. 1916)? Once we have the answer to that question, we have established what is called a reputation (since 18th C).''
Brodie (Jason Lee) explains to T.S. (Jeremy London) and Gwen (Joey Lauren Adams) why his relationship with Rene failed in Mallrats (1995): - Brodie: ''You know how when someone lays with their back to you and you lay behind ''em really close and you throw one arm over ''em?'' - T.S.: ''It''s called spooning .'' - Brodie: ''Yeah, but you gotta put the other arm somewhere. You can either lay on it or just shove it between your bodies. The only other option is to stretch it above your head . But sometimes my arm pops out of socket when I''m sleeping like that. So I was constantly searching for someplace to keep my arm while still laying close to her.'' - T.S.: ''And?'' - Brodie: ''What do you mean ''and''? That''s like a metaphor for our whole relationship .''
Lawrence Paros. The Erotic Tongue (1984): ''Unfortunately, the only question he [the male] has in mind is: Is she easy (since 17th C), loose (since 15th C), fast (18th C), swift (late 19-20th C), speedy (c. 1923), light (14th C), or convenient (19thC)? Does she go all the way(mid-20th C), the whole route (19-20th C), or the limit (c. 1916)? Once we have the answer to that question, we have established what is called a reputation (since 18th C).''

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