end:

1. The glans-penis ; also in compound expressions such as bell end, blunt-end ; red end. To have an end on , to have an erection of the penis . Scurvy end , the penis , the expression preferred by one-eyed pirates such as Long John silver, usually when cursing. ' The pleague on your scurvy-end! ' See penis for synonyms.

2. Short for back-end , the ass , the backside . See ass for synonyms.

See Also: abdominal abortion, abortion rate, absolute divorce, alpha and omega, back end, backside, bad breaker-upper, behind, bell, boodle, bowls from both ends, box unseen, break up, break wind, bridle string, bullwhip, burn, burner, burning, bust up, busted coupling, bustle, butt, caboose, Cadbury cul-de-sac, call it a day, call it quits, cat-o-nine-tails, caudal, cheesy bell-end, coccyx, come out of confinement, commoner, commoner of the camp, constable, cum drum, cumdrum, cut loose, daisy, date rape, deep into leather, dissolve partnership, do the splits, double dong, double dude, Dreadnought, dual dildo, dump, end, end pleasure, ex it, fit end to end, flogger, fore-pleasure, fourchette, French tickler, gamester, gammon, get laid, get out from under, gooseberry maker, grill, heartbreaker, heavy date, heavy leather, hind end, hinder entrance, hindside, hysteroscopy, jus primae noctis, ladies' lollipop, laid, leg spreader, leg stretcher, lollipop, lollypop, mackintosh fun, male menopause, matchrupt, mooky, moonlighting, nether eye, peck, piss broken glass, piss pins and needles, piss razor blades, proposition, proud, reno-it, Reno-vate, Reno-vation, safeword, scurvy end, split up, spreader bar, starter marriage, switch, tail bone, take someone, teat, ticklers, tip, tipout, uncouple, venereal disease, VICSS, violet wand, vive la différence, w/e, well-endowed, wench of the game, wet dream, whip, whistle, whoopee, whorehouse, wolfbagging, wrecktangle, X, X-it, XXX, yellow

Quotes Containing end:
Dorothy Parker: ''If all the girls at the Yale Prom were laid end to end , I wouldn''t be at all surprised.''
'Running into an old sweetheart . If all his old sweethearts were laid end to end you could use them as a sidewalk.' Nora Charles (Myrna Loy) about her husband in The Thin Man Goes Home (1944)
Bernie Dodd (William Holden) in The Country Girl (1954): 'They all start out as Juliets and end up as Lady Macbeths.'
Bernie Dodd (William Holden) in The Country Girl (1954): ''They all start out as Juliets and end up as Lady Macbeths.''
Bernie Dodd (William Holden) in The Country Girl (1954): 'They all start out as Juliets and end up as Lady Macbeths.'
Vada Saltenfuss (Anna Chlumsky) in My Girl 2 (1994): ''Life''s full of babaric customs, but I hope they all end with a kiss like that.''
Gene Garrison (Gene Hackman) about his father in I Never Sang for my Father (1971): 'Death ends a life but it does not end a relationship .'
Brad Majors in Shock Treatment (1981): ''You''re a dead-end, dead-beat, nowhere mister with a kisser like a Mississippi alligator''s sister!''
Headlines in the Sensation at the end of the movie Transylvania 6-5000 (1985): ''Servants confess: We never had a real hump .''
Uncle Pio (Steven Geray) to Gilda (Rita Hayworth) in Gilda (1946): ''All bad-things end up lonely, little one.''
A pimp , Buchinski (Robert Hoy) to Dirty Harry/Harry Callahan (Clint Eastwood) in The Enforcer (1976): ''You can end up with your balls in spaghetti sauce .''
Brad Majors in Shock Treatment (1981): ''You''re a dead-end, dead-beat, nowhere mister with a kisser like a Mississippi alligator''s sister!''
Maid Marian (Amy Yasbeck) and Robin (Cary Elwes) in Robin Hood. Men in Tights (1993): - Marian: ''Oh, darling . Don''t despair for it is written on a scroll: One day he who is destined for me shall be endowed with the magical key that will bring an end to my... virginity .'' - Robin: ''Oh, Marian. If only it were me.'' - Marian: ''Oh, if it were you it would be t-w-errific!'' (Marian is wearing a chastity-belt .)
Maid Marian (Amy Yasbeck) and Robin (Cary Elwes) in Robin Hood. Men in Tights (1993): - Marian: ''Oh, darling . Don''t despair for it is written on a scroll: One day he who is destined for me shall be endowed with the magical key that will bring an end to my... virginity .'' - Robin: ''Oh, Marian. If only it were me.'' - Marian: ''Oh, if it were you it would be t-w-errific!'' (Marian is wearing a chastity-belt .)
Paul (John Malkovich), the clown, to Jack (John Cusack), the student, in Shadows and Fog (1992): 'I never do-it with a whore . You start out with a burning desire and you end up in the morning with a burning sensation, if you know what I mean.'
Gwyn (Sarah Jessica Parker) at the end of Miami Rhapsody (1994): 'I guess I look at marriage sort of the same way I look at Miami: It's hot and it's stormy and it's, you know , it's occasionally a little dangerous, but if it's really so awful then why is there still so much traffic?'
Gwyn (Sarah Jessica Parker) at the end of Miami Rhapsody (1994): 'I guess I look at marriage sort of the same way I look at Miami: It's hot and it's stormy and it's, you know , it's occasionally a little dangerous, but if it's really so awful then why is there still so much traffic?'
Lorelei Lee (Marilyn Monroe) to Dorothy Shaw (Jane Russell) who is in-love-with a cheap detective in Gentlemen Prefer Blondes (1953): - Lorelei: 'You don't want to end up with a loveless marriage , do you?' - Dorothy: 'Me?! Loveless?!' - Lorelei: 'That's right. Because if a girl spends all her time worrying about the money she doesn't have, how is she going to have any time for being in love? I want you to find happiness and stop having fun.'
Edward (Eddie Cantor) kissing Sally at the end of Strike Me Pink (1936): - Sally Eilers: ''Where did you learn to kiss like that?'' - Eddie Pink: ''I used to play a bugle for the boyscouts.''
'I really enjoyed playing with you guys. ' This line was not a double-entendre , but it shows how a such a line taken, out of context, can be misinterpreted: Michael Jordan is addressing the Loony Tunes at the end of Space Jam (1996).
Hud (Paul Newman) in Hud (1963): ''How many honest men do you know? You take the sinners away from the saints, you''re lucky to end up with Abraham Lincoln.''
Paul (John Malkovich) in Shadows and Fog (1992): ''I never do-it with a whore . You start out with a burning desire and you end up in the morning with a burning sensation, if you know what I mean.''
Pat Cooper (Wendy Hiller) to John Malcolm (Burt Lancaster) about his relation with his ex-wife Ann Shankland (Rita Hayworth) in Separate Tables (1958): ''Well, there''s not much to choose between you two, is there? When you''re together, you slash each other to pieces, when you''re apart, you slash yourselves to pieces. '' A form of reconciliation is achieved at the end of the movie with this dialogue: - John: ''You know , don''t you Ann, that we don''t have very much hope together.'' - Ann: ''Have we all that much apart?''
Sheila Kingston''s (Rosie O''Donnell) voice over commentary at the end of Exit to Eden (1994): ''So, what did I learn from this case? No matter what your sexual-preference is true-love is still the ultimate fantasy.''
Sugar Kane Kowa (Marilyn Monroe) to Joe/Josephine (Tony Curtis) in Some Like It Hot (1959): ''Story of my life . I always get the fuzzy end of the lollypop .''
An unintentional by by Marlin Borunki (Dom DeLuise) when Sonny Lawson (Burt Reynolds) is trying to escape from an insane asylum in The End (1978): ''That man''s nuts . Grab him! (or ''em).''
The Narrator of Last of the Dogmen (1995): ''Wherever they get to, all good stories begin and end in the same place , and that''s the heart of a man or a woman .''
Dorian Gray''s (Hurt Hatfield) answer to his friend Basil Hallward (Lowell Gilmore) who came to comfort him after Sibyl Vane''s suicide in The Picture of Dorian Gray (1945):''It is only shallow people who require years to get rid of an emotion. A man who is master of himself can end a sorrow as easily as he can invent a pleasure. I don''t want to be at the mercy of my emotions.''
Dr. Louis Levy (Martin Bergmann) at the end of Crimes and Misdemeanors (1989): 'You will notice that what we are aiming at when we fall in-love is a very strange paradox. The paradox consists of the fact that when we fall in-love we are seeking to re-find all or some of the people to whom we were attached as children. On the other hand we ask our beloved to correct all of the wrongs that these early parents or siblings inflicted upon us so that love contains in it the contradiction: the attempt to return to the past and the attempt to undo the past.'
Dr. Louis Levy (Martin Bergmann) at the end of Crimes and Misdemeanors (1989): 'Human happiness does not seem to have been included in the design of creation. It is we, with our capacity to love , who give meaning to the indifferent universe. And yet most human beings seem to have the ability to keep trying and even find joy from simple things like their family , their work , and from the hope that future generations might understand more.'
Sheila Kingston's (Rosie O'Donnell) voice over commentary at the end of Exit to Eden (1994): 'So, what did I learn from this case? No matter what your sexual-preference is true-love is still the ultimate fantasy.'
Jerry Warrimer (Cary Grant) just before falling prey to such suspicions himself in The Awful Truth (1937: ''That''s the trouble with most marriages today. People are always imagining things. The road to Reno is paved with suspicions. The first thing you know they all end up in a divorce court.''
Jerry Warrimer (Cary Grant) just before falling prey to such suspicions himself in The Awful Truth (1937): ''That''s the trouble with most marriages today. People are always imagining things. The road to Reno is paved with suspicions. The first thing you know they all end up in a divorce court.''
Drag queens Noxema/Zima Jackson/Auntie Noxy (Wesley Snipes) and Chichi Rodriquez (John Leguizamo) in To Wong Foo. Thanks for Everything. Julie Newmar (1995): - Noxema: ''Darling, if you''re going to become a drag-queen , you''re gonna have to learn these things. '' - Chichi: ''What do you mean ''a drag queen''? I am a drag queen!'' - Noxema: ''Oh, child, no , no , no . You''re simply a boy in a dress. When a straight man puts a dress and gets his sexual kick he is a transvestite ; when a man is a woman trapped in a man''s body and has the little operation he is a transsexual ; (...) when a gay man has way too much fashion sense for one gender he is a drag-queen . (...) And when a light little Latin boy puts on a dress he is simply a boy in a dress.'' In the end , they agree to give Chichi the temporary title of ''drag princess .''
Mitch Robbins (Billy Crystal) adressing his son''s class in City Slickers (1991):''Value this time in your life , kids, because this is the time in your life when you still have your choices. It goes by so fast. When you''re a teenager , you think you can do anything and you do . Your twenties are a blur. Thirty, you raise your family , you make a little money and you think to yourself: What happened to my twenties? Forties, you grow a little pot belly , you grow another chin. The music starts to get too loud. One of your old girlfriends from high school becomes a grandmother. Fifties, you have a minor surgery. You''ll call-it ''a procedure'' but it''s a surgery. Sixties, you''ll have a major surgery. The music is still loud but it doesn''t matter because you can''t hear it anyway. Seventies, you and the wife retire to Fort Lauderdale, start eating dinner at two o''clock in the afternoon . You have lunch around ten , breakfast the night before. Spend most of your time wandering around malls, looking for the ultimate soft yogourt and muttering: How come the kids don''t call? The eighties, you have a major stroke . You end up blabbering to some Jamaican nurse that your wife can''t stand and that you call mama. Any questions?''

Link to this page:

Word Browser