sex-O:

Or: sexo / sexO , Internet lingo for sex-oriented. ' SexO FAG; Sexo newsgroups .'

Quotes Containing sex-O:
Lawrence Paros, The Erotic Tongue (1984): ''Sex comes from the Latin secare, "to cut or divide," and we first used the word to designate the two major categories of humanity we have come to know and love as male and female. (...) We later used the word sex not only for dividing the sexes, but to refer to qualities of being male or female. Over time we assigned specific attributes to each category. These distinctions were dutifully recorded in the esteemed OED, making-it all very official. The male was described as "the better" and "the sterner" sex ; the female, as "the fairer," "the gentler," "the softer," and "the devout" sex . Women were also called "the second" sex . For a period of time between the sixteenth and seventeenth centuries, when people spoke of "the sex ," they had women in mind.''
Andrew (Woody Allen) in A Midsummer Night's Sex Comedy (1982): 'Sex alleviates tension and love causes it .'
Susanna Kaysen (Winona Rider) in Girl, Interrupted (1999): ''What kind of sex isn''t casual?''
''Love is a matter of chemistry , sex is a matter of physics.'' From Murphy''s Laws on Sex.
Swami X : 'Sex is not the answer. Sex is the question. YES is the answer.'
Uncle Benny (Ned Beatty) peeping on his sunbathing neighbor Storm Reynolds (Sam Jenkins) with a looking glass in Ed and His Dead Mother (1994): ''Sex! That''s what it''s all about. From the onset of puberty it''s what occupies ninety percent of our time, the pursuit of sex , right? Ed, sex is life and if it was a pronoun she''d be IT.''
Stacey (Lea Thompson) in Casual Sex (1988): ''Safe sex . Who would have ever thought those two words would exist in the same sentence?''
Rosalie Maggio, The Dictionary of Bias-Free Usage (1991): 'An understanding of the difference between sex and gender is crucial to the correct use of language. Sex is biological: people with male genitals are male, and people with female genitals are female. Gender is cultural: our notions "masculine" tells us how we expect men to behave and our notions of "feminine " tells us how we expect women to behave - but these may have nothing to do with biology. Gender signifies an individual's personal, legal, and social status without reference to genetic sex ; gender is a subjective cultural attitude while sex is an objective biological fact .'
Mae West: 'Sex is emotion in motion.'
Andrew (Woody Allen) in A Midsummer Night's Sex Comedy (1982): 'Sex alleviates tension and love causes it .'
Uncle Benny (Ned Beatty) peeping on his sunbathing neighbor Storm Reynolds (Sam Jenkins) with a looking glass in Ed and His Dead Mother (1994): 'Sex! That's what it's all about. From the onset of puberty it's what occupies ninety percent of our time, the pursuit of sex , right? Ed, sex is life and if it was a pronoun she'd be IT.'
Rodney Dangerfield: 'If it weren't for pickpockets I'd have no sex-life at all.'
Trevor Cupid Hale as Cupid (1998): ''Coffee without caffeine is like sex without the spanking. ''
Charles Panati. Sexy Origins and Intimate Things (1998): ''The most popular explanation for the link between fashion and eroticism, and rapid changes in styles, is the sex-appeal theory, also known as the theory of shifting erogenous-zones . Proponents of the theory argue that the primary purpose of all womens fashion is the desire to continually reattract the opposite-sex . The driving force behind seasonal changes in styles is to arouse men sated by last seasons "look" to turn-on to a new "look." In todays sexually liberated and sex-saturated times, fashion is driven by the seduction principle. With so much sexual imagery in the media, men get sated quickly, and women must work hard to reseduce them with styles that continually shift the erogenous zone from breasts to bellies to backs to legs to hair to lips . Men, for their part, positively yearn to be reseduced, over and over again. All of this seduction, says the theory, is to fulfill the biological imperative to continue the species, even if the sexes thwart conception at every chance they get .''
Charles Panati. Sexy Origins and Intimate Things (1998): ''The most popular explanation for the link between fashion and eroticism, and rapid changes in styles, is the sex-appeal theory, also known as the theory of shifting erogenous-zones . Proponents of the theory argue that the primary purpose of all womens fashion is the desire to continually reattract the opposite-sex . The driving force behind seasonal changes in styles is to arouse men sated by last seasons "look" to turn-on to a new "look." In todays sexually liberated and sex-saturated times, fashion is driven by the seduction principle. With so much sexual imagery in the media, men get sated quickly, and women must work hard to reseduce them with styles that continually shift the erogenous zone from breasts to bellies to backs to legs to hair to lips . Men, for their part, positively yearn to be reseduced, over and over again. All of this seduction, says the theory, is to fulfill the biological imperative to continue the species, even if the sexes thwart conception at every chance they get .''
Bruce (Johnny Yune) in They Call Me Bruce? (1982): ''I''m a sex-object . Women ask me for sex and I object.''
Bruce (Johnny Yune) in They Call Me Bruce? (1982): ''I''m a sex-object . Women ask me for sex and I object.''
Leonard Cummings (Peter Frechette) to his younger brother Charles (Jon Cryer) in No Small Affair (1984): 'Sex has nothing to do with love . Sex washes off .'
Vicky (Elizabeth McGovern) thinking of Jerry (Beau Bridges) in Women & Men. Stories of Seduction (1990): 'I sure hate sex sometimes. His sex in particular.'
In The Opposite of Sex (1998), Carl (Lyle Lovett) to Lucia (Lisa Kudrow): 'Say the point of sex isn't recreation or procreation or any of that stuff . Say it's concentration. Say it's supposed to focus your attention on the person you're sleeping with, like a biological highlighter. Otherwise there's just too many people in the world .'
Michael (Jeff Goldlum) and Sam (Tom Berenger) in The Big Chill (1983): - Michael: 'I don't know anyone who could get-through the day without two or three juicy rationalizations. They're more important than sex .' - Sam: 'Ah, come-on . Nothing's more important than sex .? - Michael: 'Oh, yeah? Ever gone a week without a rationalization?'
Lawrence Paros, The Erotic Tongue (1984): ''Sex comes from the Latin secare, "to cut or divide," and we first used the word to designate the two major categories of humanity we have come to know and love as male and female. We later used the word sex not only for dividing the sexes, but to refer to qualities of being male or female.'
To Matthew Broderick in The Night We Never Met (1997) after being rejected by his ex-girlfriend: ''Look on the bright side... No sex is safe-sex .''
Romy White (Mira Sorvino) complaining about the scarcity of interesting menales in a bar , and her friend Michelle Weinberger (Lisa Kudrow) in Romy and Michelle''s High School Reunion (1998): - Romy: ''I swear to God, sometimes I wish I were a lesbian .'' - Micheelle: ''You want to have-sex sometimes just to see if we are?'' - Romy: ''Just the idea of having-sex with another woman creeps me out ..., but, if we''re not married by the time were thirty, ask me again.''
''Can you help me out for a sex? sec! Did I say sex? I meant sec.'' Kevin (Michael Keaton) and Julia (Geena Davis) in Speechless (1994). Freud says that the unconscious mind doesn''t make mistakes, Kevin hence, a lapsus is a thruthsus.''
Betty Dodson in the Sex for One segment of the HBO Special The Best of Real Sex (1993): 'There's no such as a frigid woman ; it's somebody who hasn't learned how to have an orgasm .'
Barbara Whiteman (Bette Midler) to Jerry Baskin (Nick Nolte) in Down and Out in Beverly Hills (1986): 'Dave lost interest in me and I lost interest in sex . I went shopping for gratification. That's like sex without a climax .'
Betty Dodson in the Sex for One segment of the HBO Special The Best of Real Sex (1993): ''There''s no such as a frigid woman ; it''s somebody who hasn''t learned how to have an orgasm .''
Barbara Whiteman (Bette Midler) to Jerry Baskin (Nick Nolte) in Down and Out in Beverly Hills (1986): ''Dave lost interest in me and I lost interest in sex . I went shopping for gratification. That''s like sex without a climax .''
Horny, 15-years old Buddy Griffith (Billy Jacoby) hitting on Denise (Toni Hudson) in Just One of the Boys (1985): ''Don''t get me wrong. It''s not like I''ve never had sex before. I''ve had plenty of sex . It''s just that now I''d like to try it with a partner .''
Alvy Singer (Woody Allen) to Annie (Diane Keaton) in Annie Hall (1977): ''Don''t knock masturbation! It''s sex with someone I love .'' Off-screen Woody Allen also said: ''I believe that sex is a beautiful thing between two people. Between five, it''s fantastic.''
Horny, 15-years old Buddy Griffith (Billy Jacoby) hitting on Denise (Toni Hudson) in Just One of the Boys (1985): ''Don''t get me wrong. It''s not like I''ve never had sex before. I''ve had plenty of sex . It''s just that now I''d like to try it with a partner .''
Alvy Singer (Woody Allen) to Annie (Diane Keaton) in Annie Hall (1977): ''Don''t knock masturbation! It''s sex with someone I love .'' Off-screen Woody Allen also said: ''I believe that sex is a beautiful thing between two people. Between five, it''s fantastic.''
Janet Livermore (Bridget Fonda) to Steve Dunne (Campbell Scott) in Singles (1992): ''Don''t treat this like casual-sex . Casual sex doesn''t exist anymore. It''s lethal. It''s over.''
''Sex don''t mean a thing to me, Buddy. It ain''t nothing but a mosquito bite . (...) Buddy, I''m gonna tell you a secret. Girls don''t want sex , girls want love .'' Rose (Laura Dern) to Buddy (Lukas Haas) in Rambling Rose (1991)
Leonard Cummings (Peter Frechette) to his younger brother Charles (Jon Cryer) in No Small Affair (1984): 'Sex has nothing to do with love . Sex washes off .'
Rose (Laura Dern) to Buddy (Lukas Haas) in Rambling Rose (1991): 'Sex don't mean a thing to me, Buddy. It ain't nothing but a mosquito bite . Buddy, I'm gonna tell you a secret. Girls don't want sex , girls want love .'
Amanda Penrose (Ann Sheridan) to Sylvia Fowler(Dolores Gray) in The Opposite Sex (1956): - Amanda : ''She''s a woman .'' - Sylvia: ''And what are we?'' - Amanda : ''Females. The lost-sex substituting fashion for passion and the analyst''s couch for the double bed .''
''Sex is a three-letter word which needs some old-fashioned four-letter-words to convey its full meaning.'' From Murphy''s Laws on Sex.
Sally (Meg Ryan) and Harry (Billy Crystal) in When Harry Met Sally (1989): - Sally Albright: 'Harry, we are just going to be friends.' - Harry Burns: 'You realise of course that we can never be friends.' - Sally Albright: 'Why not?' - Harry Burns: 'What I'm saying is, and this is not a come-on in any way , shape or form, is that men and women can't be friends because the sex part always gets in the way . (...) Because no man can be friends with a woman he finds attractive . He always wants to have-sex-with her.' - Sally Albright: 'So, you're saying that a man can be friends with a woman he finds unattractive.' - Harry Burns: 'No, you pretty much want to nail them too.'
Mitch Robbins (Billy Crystal) in City Slickers (1991): 'Women need a reason to have-sex . Men just need a place .'
Mrs. White (Madeline Kahn) in Clue (1986): 'Life after death is as improbable as sex after marriage .'
Reporter Jake Callahan (Lynne Overman) about sleazy lawyer Billy Flynn (Adolphe Menjou) in Roxie Hart (1942): ''Sex appeal rises from him like a cloud of steam.''
Alvy Singer (Woody Allen) after having-sex with Annie Hall (Diane Keaton)(1977): 'That was the most fun I ever had without laughing.'
Margaret Atwood: 'Nobody dies from lack of sex . It's lack of love we die from.'
Rita (Stacey Nelkin) in Bullets Over Broadwaty (1994): 'For me, love is very deep, but sex only has to go a few inches. '
The Dowager Empress (Helen Hayes) to the flirty Baroness von Livenbaum (Martita Hunt) in Anastasia (1956): ''To a woman of your age sex should be nothing but gender .''
Barbara Stern (Caroline Aaron) to Clifford Stern (Woody Allen) in Crimes and Misdemeanors (1989): ''Once the sex goes it all goes.''
Molly Thatcher (Lee Remick) in The Wheeler Dealers (1963): ''Everyman has sex on the brain like it''s some wonder drug, a cure-all for everything, cold , bursitis, arthritis.''
Molly Thatcher (Lee Remick) in The Wheeler Dealers (1963): ''Everyman has sex on the brain like it''s some wonder drug, a cure-all for everything, cold , bursitis, arthritis.''
''Sow your wild-oats on Saturday night, then on Sunday pray for crop failure.'' From Murphy''s Laws on Sex.
Vickie Miner (Janeane Garofalo) in Reality Bites (1994) : ''Lelaina, sex is the quickest way to ruin a friendship.''
Sally (Meg Ryan) and Harry (Billy Crystal) in When Harry Met Sally (1989): - Sally Albright: ''Harry, we are just going to be friends.'' - Harry Burns: ''You realise of course that we can never be friends.'' - Sally Albright: ''Why not?'' - Harry Burns: ''What I''m saying is, and this is not a come-on in any way , shape or form, is that men and women can''t be friends because the sex part always gets in the way . (...) Because no man can be friends with a woman he finds attractive . He always wants to have-sex-with her.'' - Sally Albright: ''So, you''re saying that a man can be friends with a woman he finds unattractive.'' - Harry Burns: ''No, you pretty much want to nail them too.''
Barbara Stern (Caroline Aaron) to Clifford Stern (Woody Allen) in Crimes and Misdemeanors (1989): ''Once the sex goes it all goes.''
Frederic Mullally in The Penthouse Sexicon (1968): ''One whose attitude to the fair-sex is: "If you can''t join ''em, lick ''em."''
Sally Albright (Meg Ryan) and Harry Burns (Billy Crystal) in When Harry Met Sally (1989): - Sally : 'Harry, we are just going to be friends.' - Harry:'You realise of course that we can never be friends.' - Sally : 'Why not?' - Harry:'What I'm saying is, and this is not a come-on in any way , shape or form, is that men and women can't be friends because the sex part always gets in the way . (...) Because no man can be friends with a woman he finds attractive . He always wants to have-sex-with her.' - Sally :'So, you're saying that a man can be friends with a woman he finds unattractive.' - Harry:'No, you pretty much want to nail them too.'
''Sex is like a handshake to you.'' John Boys (James LeGros) to his promiscuous girlfriend Jessica (Lisa Zane) in Floundering (1994)
''Sex is like a handshake to you.'' John Boys (James LeGros) to his promiscuous girlfriend Jessica (Lisa Zane) in Floundering (1994)
Rosalie Maggio, The Dictionary of Bias-Free Usage (1991): ''Men may buy pornography but women pay for it - in terms of exploitation, rape, violence, and a society that sees them as disposable sexual-objects. Pornography associates women with pain, inferiority, and humiliation ; the assumption for the user is that this is real and normal. Good sex is also a victim; a graduate of The School of Pornography is a sex-illiterate. Erotica differs from pornography in that it celebrates rather than degrades human-sexuality . It preserves the mutuality of sexual activity, is not exploitative, controlling, objectifying, addictive, a "using" activity, or affected by prurient-interests. ''
Rosalie Maggio, The Dictionary of Bias-Free Usage (1991): ''Men may buy pornography but women pay for it - in terms of exploitation, rape, violence, and a society that sees them as disposable sexual-objects. Pornography associates women with pain, inferiority, and humiliation ; the assumption for the user is that this is real and normal. Good sex is also a victim; a graduate of The School of Pornography is a sex-illiterate. Erotica differs from pornography in that it celebrates rather than degrades human-sexuality . It preserves the mutuality of sexual activity, is not exploitative, controlling, objectifying, addictive, a "using" activity, or affected by prurient-interests. ''
Lucy (Rosanna Arquette) in The Linguini Incident (1991): 'You know perfectly well new sex is like crack .'
Anonymous: 'Sex in France is a comedy, in England a tragedy, in America a melodrama, in Germany a philosophy, in Italy an opera.'
Lawrence Paros. The Erotic Tongue (1984): 'Sex is easier done than said.'
Rita (Stacey Nelkin) in Bullets Over Broadwaty (1994): 'For me, love is very deep, but sex only has to go a few inches. '
The Dowager Empress (Helen Hayes) to the flirty Baroness von Livenbaum (Martita Hunt) in Anastasia (1956): 'To a woman of your age sex should be nothing but gender .'
Crossdressers Jerry/Daphne (Jack Lemmon) to Joe/Josephine (Tony Curtis) in Some Like It Hot (1959): 'I tell you, it's a whole different sex .'
Navin R. Johnson (Steve Martin) as a carny in The Jerk (1979): 'For one dollar, I'll guess your weight, your height or your sex .'
Mitch Robbins (Billy Crystal) in City Slickers (1991): 'Women need a reason to have-sex . Men just need a place .'
Young Frank Wheeler (Michael Patrick Carter) to V (Melanie Griffith) in Milk Money (1994): 'Sex! I decided it's an evil scheme.'
Barbara Stern (Caroline Aaron) to Clifford (Woody Allen) in Crimes and Misdemeanors (1989): 'Once the sex goes it all goes.'
Sam Lester (Matthew Broderick) in The Night We Never Met (1993): 'Sex is a little bit like politics; the incumbent always has the advantage.'
Marilyn Monroe: ''A sex-symbol becomes a thing . I hate being a thing .''
Marilyn Monroe: ''A sex-symbol becomes a thing . I hate being a thing .''
Patty O'Neill (Maggie McNamara) to Donald Gresham (William Holden) in The Moon is Blue (1953): 'Don't you think it's better for a girl to be preoccupied with sex than occupied?'
Sophia Loren: ''Sex appeal is 50% what you''ve got and 50% what people think you''ve got.''
Jake Callahan (Lynne Overman) about Billy Flynn (Adolphe Menjou) in Roxie Hart (1942): ''Sex appeal rises from him like a cloud of steam.''
Sophia Loren: ''Sex appeal is 50% what you''ve got and 50% what people think you''ve got.''
Barbara Stern (Caroline Aaron) to Clifford Stern (Woody Allen) in Crimes and Misdemeanors (1989): 'Once the sex goes it all goes.'
Andrew (Tony Britton) to Robert (Peter Sellers) in There's a Girl in my Soup (1970): 'You treat your sex-life like a continuous wine tasting: rool them around and spit them out .'
Lance (Anthony Edwards) to Walter 'Gib' Gibson (John Cusack) before introducing him to The Sure Thing (1985): 'Tonight is the first night of the rest of your sex-life .'
Veronica (Marilyn Ghigliotti) to Dante (Brian O'Halloran) in Clerks (1994): 'I'm astonished to hear you trivialize my role in our sex-life .'
Watts (Mary Stuart Masterson) to Keith in Some Kind of Wonderful (1987): 'It must be a drag to be a slave to the male sex-drive .'
Barbara Stern (Caroline Aaron) to Clifford Stern (Woody Allen) in Crimes and Misdemeanors (1989): 'Once the sex goes it all goes.'
Jake Callahan (Lynne Overman) about Billy Flynn (Adolphe Menjou) in Roxie Hart (1942): ''Sex appeal rises from him like a cloud of steam.''
Lt. Frank Drebin (Leslie Nielsen) toJane (Priscilla Presley) in Naked Gun 2 . The Smell of Fear (1991): 'I'm single! I love being single! I haven't had so much sex since I was a boy scout leader.'
Dr. R. Kellog (Anthony Hopkins) in Road to Wellville (1994): ''Sex is the sewer drain of a healthy body, Sir. Any use of the sexual-act other than procreation is a waste of vital energy. Wasted seeds are wasted lives.''
K. S. Daly. Sex. An Encyclopedia for the Bewildered (1995): ''Following the first strip-tease performance at the Moulin Rouge in Paris in February 1893, other performances attempted to add some imaginative variety to the proceedings. One of these, La Puce (or The Flea) featured a young woman who, on discovering a flea in her clothing, had no option but to divest.''
K. S. Daly. Sex. An Encyclopedia for the Bewildered (1995): ''Following the first strip-tease performance at the Moulin Rouge in Paris in February 1893, other performances attempted to add some imaginative variety to the proceedings. One of these, La Puce (or The Flea) featured a young woman who, on discovering a flea in her clothing, had no option but to divest.''
Amanda Shelton (Sarah Michelle Gellar) and Tom Bartlett (Sean Patrick Flanery) in Simply Irresistible (1999): - Amanda : 'My friend told me this thing about men and sex , they think about it 238 times a day.' - Tom: 'That's ridiculous, that would be about every 4 minutes... Yeah, that's about right.' - Amanda : 'I've been here 20 minutes.'
Dorinda Durston (Holly Hunter) about Ted Baker (Brad Johnson) in Always (1989): ''He''s too beautiful. He''s too much twisted steel and sex-appeal . I can''t be with a guy who looks like I won him in a raffle.''
J.C. Wyatt (Diane Keaton) who, after fainting, wakes up in Dr. Jeff Cooper's (Sam Shepard) office in Baby Boom (1987): 'I'm spilling my guts out to a vet? I'm lying on a vet's table, telling you about my sex life?'
Dorinda Durston (Holly Hunter) about Ted Baker (Brad Johnson) in Always (1989): ''He''s too beautiful. He''s too much twisted steel and sex-appeal . I can''t be with a guy who looks like I won him in a raffle.''
Carrie (Courtenay Cox) and David (Arye Gross) in The Opposite Sex (1993): - Carrie Davenport: ''You just shouldn''t look at women as objects.'' - David Crown: ''Oh, now, you see , I was looking at women objectively.'' - Carrie Davenport: ''You know , I don''t care for semantics.''
Virgil Starkwell (Woody Allen) in Take the Money and Run (1969): 'In prison, I remember this psychiatrist asked if I had a girl and I said no . And he said: Do you think sex is dirty? And I said it is if you do-it right.'
Sonja (Diane Keaton) and Boris (Woody Allen) in Love and Death (1975): - Sonja: 'Sex without love is an empty experience.' - Boris : 'Yes, but as empty experiences go, it's one of the best.'
Nathalie De Ville (Geraldine Chaplin) to Nick Hart (Keith Carradine) in The Moderns (1988): 'Don't confuse sex and love , Mr. Hart. It will spoil both of 'em for you.'
Carrie (Courtenay Cox) and David (Arye Gross) in The Opposite Sex (1993): - Carrie Davenport: ''You just shouldn''t look at women as objects.'' - David Crown: ''Oh, now, you see , I was looking at women objectively.'' - Carrie Davenport: ''You know , I don''t care for semantics.''
Virgil Starkwell (Woody Allen) in Take the Money and Run (1969): 'In prison, I remember this psychiatrist asked if I had a girl and I said no . And he said: Do you think sex is dirty? And I said it is if you do-it right.'
Blue movie producer Angelo Corelli (Keenan Wynn) to director Charly Rummel (Warren Beatty) in Promise Her Anything (1966): - Angelo Corelli: 'Times have changed.' - Charley Rummel: 'Sex never changes.' - Angelo Corelli: 'Only in America. In Denmark it changes.'
Candy (Ruth Marshall) and David (Thomas Gibson) in Love and Human Remains (1993): - Candy: 'I want more than just sex .' - David: 'That's why God invented television.'
Edwina Cutwater (Lily Tomlin) and Roger Cobb (Steve Martin) sharing the same body in All of Me (1984): - Edwina: 'What's so important about sex?' - Roger: 'That's like saying: what's so important about laughing or Duke Ellington or the World Series? It's one-of-those things that makes you feel like you're really living, like you're glad to be alive.' - Edwina: 'I am already glad to be alive. I don't need to play-tonsil-hockey with some English tart to feel good.'
Bethany Sloane (Linda Fiorentino) and Metatron (Alan Rickman) in Dogma (1999): - Bethany: 'Sex is a joke in heaven?' - Metatron: 'The way I understand it , it's mostly a joke down here, too.'
Sacha, a radio sexpert , to a caller who swallowed semen and could feel them ''moving around in there'' in the 1999 movie Urban Legend: ''Ingestion of bodily fluids is a major safe-sex no-no. My suggestion is: take a spoonfull of Pepto and next time get away from the volcano before it erupts.''
Huey Walker (Dennis Hopper) in Flashback (1989); ''Guess what? You''re having free sex right now. You''re getting screwed and you don''t even know it .''
Huey Walker (Dennis Hopper) in Flashback (1989); ''Guess what? You''re having free sex right now. You''re getting screwed and you don''t even know it .''
Sally Albright (Meg Ryan) in When Harry Met Sally (1989):'We wanted to live-together , but we didn't want to get married , because every time anyone we knew got married , it ruined their relationship . They practically never had sex again. It's true. It's one of the secrets that no one ever tells you.'
Bachelor Elie (Kevin Pollak) in The Opposite Sex. And How to Live With Them (1993): 'A relationship is a fine place to sleep but you wouldn't want to live there.'
Sally Albright (Meg Ryan) in When Harry Met Sally (1989): 'We wanted to live-together , but we didn't want to get married , because every time anyone we knew got married , it ruined their relationship . They practically never had sex again. It's true. It's one of the secrets that no one ever tells you.'
Soviet agent Xena Onatopp (Famke Janssen) and British agent 007 James Bond (Pierce Brosnan) in GoldenEye (1995): - Xena Onatopp: ''You don''t need the gun , Commander.'' - James Bond: ''That depends on your definition of safe-sex .''
Lt. Frank Drebin (Leslie Nielsen) to Tanya after she offered to take him on as her second lover in The Naked Gun 33 1/3 - The Final Insult (1994): ''Kinky, but I like my sex the way I play basketball: one on one and with as little dribbling as possible.''
Cher Hamilton (Alicia Silverstone) in Clueless (1995): ''Sometimes you have to show a little skin . This reminds boys of being naked , and then they think of sex .''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Love is blind with sex in mind, but don''t be resigned, it always takes two of a kind.''
Gore Vidal: ''I can understand companionship. I can understand bought sex in the afternoon . I cannot understand the love-affair .''
Tommy Patel (Eric Idle) in Splitting Heirs (1993): ''You don''t have to worry about me, dear, I''m BI-sexual. Whenever I want to have-sex , I have to buy it .''
Boris Grushenko (Woody Allen) in Love and Death (1975): ''Some men are heterosexual , and some men are homosexual , and some men don''t think about sex at all. They become lawyers.''
'Yes! We're disgusting! We're men! We're idiots! It's the law.' Elie (Kevin Pollak) to his friend David Crown (Arye Gross) in The Opposite Sex. And How to Live With Them (1993)
'Everyman has sex on the brain like it's some wonder drug, a cure-all for everything, cold , bursitis, arthritis.' Molly Thatcher (Lee Remick) in The Wheeler Dealers (1963).
The doctor and Charlotte Flax (Winona Ryder) in Mermaids (1990): - Doctor: ''Has your mother ever talked to you about sex?'' - Charlotte: ''Oh, yes . We talk about everything. She''s a wonderful mother .'' - Doctor: ''Why did you think you were pregnant? You''re still a virgin .''
Frank Broderick (Henry Fonda) and Bob Weston (Tony Curtis) Sex and the Single Girl (1964): - Frank: ''What do you call-it when you hate the woman you love?'' - Bob: ''A wife .''
Ed (George Kennedy) & Frank (Leslie Nielsen) in Naked Gun 2 . The Smell of Fear (1991): - Captain Ed Hocken: ''We have an address. Monique de Carlo, two-ten Belckner Street.'' - Lt. Frank Drebin: ''That''s the redlight district. I wonder why Savage is hanging out down there?'' - Captain Ed Hocken: ''Sex, Frank?'' - Lt. Frenk Drebin: ''No, not right now, Ed. We''ve got work to do .''
Thomas (Martin Donovan) and Isabelle (Isabelle Hupert) in Amateur (1994): - Thomas : ''How can you be a nymphomaniac and never had sex?'' - Isabelle: ''I''m choosy.''
Elie (Kevin Pollak) to his friend David Crown (Arye Gross) in The Opposite Sex. And How to Live With Them (1993): ''Yes! We''re disgusting! We''re men! We''re idiots! It''s the law.''
Elie (Kevin Pollak) to his friend David Crown (Arye Gross) in The Opposite Sex. And How to Live With Them (1993): ''Yes! We''re disgusting! We''re men! We''re idiots! It''s the law.''
Phil Berquist (Daniel Stern) to his wife in City Slickers (1991): - Arlene: ''You''re crazy!'' - Phil: ''That''s right! Not having-sex for twelve years will do that to a person!''
''He''s too beautiful. He''s too much twisted steel and sex-appeal . I can''t be with a guy who looks like I won him in a raffle.'' Dorinda Durston (Holly Hunter) speaking about Ted Baker (Brad Johnson) in Always (1989)
Bob Weston (Tony Curtis) to psychologist Helen Gurley Brown (Natalie Wood) in Sex and the Single Girl (1964): ''She''d hit the ceiling if she thought you and me were sitting here alone. You know what she''d figure? She''d figure a broad as pretty as you as got to be on-the-make .''
The Fool (Woody Allen) trying to open the Queen''s (Lynn Redgrave) chastity-belt in "Everything You Always Wanted to Know About Sex" *But Were Afraid to Ask* (1972): ''With most grievous dispatch I will open the latch and get to her snatch .''
Nathalie De Ville (Geraldine Chaplin) to Nick Hart (Keith Carradine) in The Moderns (1988): 'Don't confuse sex and love , Mr. Hart. It will spoil both of 'em for you.'
Sonja (Diane Keaton) and Boris (Woody Allen) in Love and Death (1975): - Sonja: 'Sex without love is an empty experience.' - Boris : 'Yes, but as empty experiences go, it's one of the best.'
Frank Broderick (Henry Fonda) and Bob Weston (Tony Curtis) in Sex and the Single Girl (1964): - Frank: 'What do you call-it when you hate the woman you love?' - Bob: 'A wife .'
William Thomas/Billy (Gil Bellows) and Dr. Hooper in the TV series Ally McBeal (1997): - Billy: ''Why do therapist always have to talk about sex?'' - Dr. Hooper: ''What can I say, Freud was a perv .''
Sir Guy Grand (Peter Sellers) to the Board of Directors in The Magic Christian (1969): ''May I take a page from our late great Rudy the Kip Kipling? Let our Kipling speak: There was a young lady from Exeter / All the young men threw their sex at her / Just to be rude / She lay in-the-nude / While her parrot, a pervert , took pecks at her.''
Sophocles, the Greek playwright when asked: ''How is your sex life? Are you still able to satisfy a woman?'' He replied: ''Gladly I am rid of it , as though I had escaped from the clutches of a mad and savage master .'' From Charles Panati. Sexy Origins and Intimate Things (1998)
Amanda Shelton (Sarah Michelle Gellar) and Tom Bartlett (Sean Patrick Flanery) in Simply Irresistible (1999): - Amanda : ''My friend told me this thing about men and sex , they think about it 238 times a day.'' - Tom: ''That''s ridiculous, that would be about every 4 minutes... Yeah, that''s about right.'' - Amanda : ''I''ve been here 20 minutes.''
Richard (Jon Lovitz) trying to have-sex-with Victoria (Tia Carrere) in High School High (1996): - Richard : ''Oh, my God! You''re still a virgin!'' - Victoria : ''No, no , I still have my panties on .''
The doctor and Charlotte Flax (Winona Ryder) in Mermaids (1990): - Doctor: ''Has your mother ever talked to you about sex?'' - Charlotte: ''Oh, yes . We talk about everything. She''s a wonderful mother .'' - Doctor: ''Why did you think you were pregnant? You''re still a virgin .''
Richard (Jon Lovitz) trying to have-sex-with Victoria (Tia Carrere) in High School High (1996): - Richard : ''Oh, my God! You''re still a virgin!'' - Victoria : ''No, no , I still have my panties on .''
The doctor and Charlotte Flax (Winona Ryder) in Mermaids (1990): - Doctor: ''Has your mother ever talked to you about sex?'' - Charlotte: ''Oh, yes . We talk about everything. She''s a wonderful mother .'' - Doctor: ''Why did you think you were pregnant? You''re still a virgin .''
Sword-swallower Irmy (Mia Farrow), who just admitted having-sex with a student for $700, and (Max) Kleinman (Woody Allen) in Shadows and Fog (1992): - Irmy: 'I slept with one person for money . Does that makes me a whore?' - Kleinmann: 'No, only by the dictionary definition.'
Dorinda Durston (Holly Hunter) speaking of Ted Baker (Brad Johnson) in Always (1989): ''He''s too beautiful. He''s too much twisted steel and sex-appeal . I can''t be with a guy who looks like I won him in a raffle.''
Elie (Kevin Pollak) reciting the bachelor''s credo of dating in The Opposite Sex: And How to Live With Them (1993): ''The 3-F''s of Dating: One: Film. Two: Food. Three: Fuck.''
Catherine (Rita Wilson) and Blanche Munchnick (Madeline Kahn) in Mixed Nuts (1994): - Catherine: 'Phillip is completely true to Susan.' - Blanche: 'Men aren't true to anything. They will have-sex-with a tree.'
Amanda Shelton (Sarah Michelle Gellar) and Tom Bartlett (Sean Patrick Flanery) in Simply Irresistible (1999): - Amanda : 'My friend told me this thing about men and sex , they think about it 238 times a day.' - Tom: 'That's ridiculous, that would be about every 4 minutes... Yeah, that's about right.' - Amanda : 'I've been here 20 minutes.'
Luna Schlosser (Diane Keaton) and Miles Monroe (Woody Allen) who was frozen in the year 1973 and awakened in 2173 in Sleeper (1973): - Luna: 'It's hard to believe you haven't had sex for two hundred years.' - Miles: 'Two hundred and four if you count my marriage .'
Boris Grushenko (Woody Allen) in Love and Death (1975): ''Some men are heterosexual , and some men are homosexual , and some men don''t think about sex at all. They become lawyers.''
Carrie (Courtenay Cox) and David (Arye Gross) in The Opposite Sex (1993): - Carrie Davenport: ''You should learn to view women as a whole .'' - David Crown: ''Hey! Listen, I''m way too enlightened to look at a woman like that.''
Boris Grushenko (Woody Allen) in Love and Death (1975): ''Some men are heterosexual , and some men are homosexual , and some men don''t think about sex at all. They become lawyers.''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Love is blind with sex in mind, but don''t be resigned, it always takes two of a kind.''
Bert (Robert Lindsay) speaking of Tess Trample (Carmen Du Sautoy) and her husband Sid (Robbie Coltrane) in Bert Rigby, You''re a Fool (1989): ''A nympho and a schizo; their marriage was a perfect blend of sex and violence.''
Amanda Bonner (Katharine Hepburn), a lawyer in Adam''s Rib (1949): ''For years women have been ridiculed, pampered, tucked under the chin. I ask you on behalf of us all, be fair to the fair-sex .''
Harry Burns (Billy Crystal) to Sally Albright (Meg Ryan) in When Harry Met Sally (1989): - Sally : ''There''s this guy ....'' - Harry: ''What does he look like?'' - Sally : ''I don''t know , he''s just kind of...faceless.'' - Harry: ''Okay, faceless guy .'' - Sally : ''He rips off my clothes. '' - Harry: ''And?'' - Sally : ''That''s it .'' - Harry: ''That''s it? Faceless guy rips off your clothes and that''s the sex fantasy you''ve been having since you were twelve?'' - Sally : ''Well, sometimes I vary it a little.'' - Harry: ''Which part?'' - Sally : ''What I''m wearing. ''
Iram Katourian (Jack Lemmon) talking to his mistress Irene (Joanna Gleason) about his wife Millie (Talia Shire) in For Richer, For Poorer (1992): - Irene: ''Iram, do you really think that your money has anything to do with Millie''s sex drive?'' - Iram: ''Oh, absolutely. You''ve heard the phrase: power is an aphrodisiac? That applies to marriage especially. See, a poor man has tremendous power over his wife . She needs him. Without his support, her, the kids... she humps the hell out of him. The richer a man is the less his wife is depending upon him, the less power he has over her and the less sexy he becomes to her. It''s a law of nature.'' - Irene: ''Horniness equals dependence times poverty squared.''
Robert Schimmel guest star on the Rodney Dangerfield comedy special Nothin'' Goes Right (1988): ''Some of these guys only like it if they think the girl doesn''t like it ; it''s some sort of weird power trip thing for these guys. It''s like anal-sex . I think if you really wanted to try that with a girl and she said: ''OK, but be really gentle because no one ever did anything like this to me before.'' You''d get the hard-on of a lifetime. But if she said: ''Give me that big dick and drive me around the block .'' You wouldn''t be able to get-it-up if there was money involved.''
Elaine Navazio (Sally Kellerman) and Barney Cashman (Alan Arkin) in Last of the Red Hot Lovers (1972). Elaine is Barney''s first of three unsuccessful attempts at middle-age, extra-marital sex . - Elaine:''Is it possible that you''re actually as cold as you sound?'' - Barney:''I need gloves to take off my underwear .'' - Elaine: ''Flippant, wise and cold . You don''t permit yourself to be honest and open for a minute, do you?'' - Barney:''Barney, I''m gonna give you one free hint so the afternoon isn''t a total write off . If you want undying love and romance , take a guitar and go to Spain. I''m leaving for good. My peek has ebbed.'' - Elaine: ''Cold, callous and unemotional.'' - Barney:''Those are my attorneys. You know where to get in touch with me.''
Charles Panati. Sexy Origins and Intimate Things (1998): ''Thanks to photography and film, Americans have created and worshiped more femme icons than all previous centuries combined. Each of our decades has produced several new images. For the most part, men dreamed up these images and named them, and women have worked hard to copy their shapes and costumes. If there is a single attribute that most of these modern images possess, its "sex-appeal " - a relatively new and daring term in English. American men have categorized their women by sexual types and nicknamed them with suggestively playful tags. In centuries past, where a virtue-vice dichotomy prevailed, women came in only two types: good or bad , whores or madonnas, mothers or mistresses. ''
Charles Panati. Sexy Origins and Intimate Things (1998): ''Thanks to photography and film, Americans have created and worshiped more femme icons than all previous centuries combined. Each of our decades has produced several new images. For the most part, men dreamed up these images and named them, and women have worked hard to copy their shapes and costumes. If there is a single attribute that most of these modern images possess, its "sex-appeal " - a relatively new and daring term in English. American men have categorized their women by sexual types and nicknamed them with suggestively playful tags. In centuries past, where a virtue-vice dichotomy prevailed, women came in only two types: good or bad , whores or madonnas, mothers or mistresses. ''
Charles Panati. Sexy Origins and Intimate Things (1998): ''Thanks to photography and film, Americans have created and worshiped more femme icons than all previous centuries combined. Each of our decades has produced several new images. For the most part, men dreamed up these images and named them, and women have worked hard to copy their shapes and costumes. If there is a single attribute that most of these modern images possess, its "sex-appeal " - a relatively new and daring term in English. American men have categorized their women by sexual types and nicknamed them with suggestively playful tags. In centuries past, where a virtue-vice dichotomy prevailed, women came in only two types: good or bad , whores or madonnas, mothers or mistresses. ''
Iram Katourian (Jack Lemmon) talking to his mistress Irene (Joanna Gleason) about his wife Millie (Talia Shire) in For Richer, For Poorer (1992): - Irene: 'Iram, do you really think that your money has anything to do with Millie's sex drive?' - Iram: 'Oh, absolutely. You've heard the phrase: power is an aphrodisiac? That applies to marriage especially. See, a poor man has tremendous power over his wife . She needs him. Without his support, her, the kids... she humps the hell out of him. The richer a man is the less his wife is depending upon him, the less power he has over her and the less sexy he becomes to her. It's a law of nature.' - Irene: 'Horniness equals dependence times poverty squared.'
Elaine (Kelly Bishop) and Sue (Pat Quinn) in An Unmarried Woman (1978): - Elaine: ''There''s no such thing as total honesty, not with men. They''re all wrapped up in sexual-ego .'' - Sue: ''What the hell is sexual-ego , Elaine?'' - Elaine: ''Never getting enough, always on-the-make , constantly worrying about performing.'' - Sue: ''That''s ridiculous! I know lots of men who are interested in other things besides sex .'' - Elaine: ''Name one.'' - Sue: ''My husband .''
Carrie Davenport (Courtenay Cox) and David Crown (Arye Gross) meeting in a basement bar where clients use a periscope to view passing women''s legs in The Opposite Sex. And How to Live With Them (1993): - Carrie: ''It''s not polite to spy.'' - David: ''I wasn''t spying. I was leering. '' - Carrie: ''You know , this thing reinforces bad viewing habits. You should learn to look at a woman as a whole .'' - David: ''Hey, listen, I''m way to enlightened to look at a woman like that.'' - Carrie: ''I meant as opposed to just half.'' - David: ''It''s a periscope in a bar . Lighten up!'' - Carrie: ''You just shouldn''t look at women as objects.'' - David: ''Oh, now, you see , I was looking at women objectively.'' - Carrie: ''You know , I don''t care for semantics.'' - David: ''Oh, too bad , I''m Jewish. May I buy you a drink?'' - Carrie: ''I don''t think so.'' - David: ''The whole you?''
Carrie Davenport (Courtenay Cox) and David Crown (Arye Gross) meeting in a basement bar where clients use a periscope to view passing women''s legs in The Opposite Sex. And How to Live With Them (1993): - Carrie: ''It''s not polite to spy.'' - David: ''I wasn''t spying. I was leering. '' - Carrie: ''You know , this thing reinforces bad viewing habits. You should learn to look at a woman as a whole .'' - David: ''Hey, listen, I''m way to enlightened to look at a woman like that.'' - Carrie: ''I meant as opposed to just half.'' - David: ''It''s a periscope in a bar . Lighten up!'' - Carrie: ''You just shouldn''t look at women as objects.'' - David: ''Oh, now, you see , I was looking at women objectively.'' - Carrie: ''You know , I don''t care for semantics.'' - David: ''Oh, too bad , I''m Jewish. May I buy you a drink?'' - Carrie: ''I don''t think so.'' - David: ''The whole you?''

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