two-way:

Vaginal and oral-sex .
See Also: 50:50, Accu-Jac, adrenal glands, Batman and Robin, bikini, bipara, Boston marriage, buddy booths, cap and blow, Cash Flagg, cat-fight, Christ and two apostles, coitus variatus, cow-climbing, crus of the clitoris, De duobus malis, minus est semper eligendum, deuterition, dimorphism, docking, double, double dong, double dude, double fire, double payment, double-entry, dual dildo, Engirix B, fifty-fifty, g-g, gender roles, hit it off, in-sisters, innocent girl, les-be-friends, love seat, panel worker, permanent mascara, pillow fucker, play a return engagement, plurisexual, polygamy, riding the bitch's seat, rose between two thorns, rowing the boat, second oldest profession, sex-linked, sexual dimorphism, spoon fashion, taffy-pulling contest, take out insurance, trap two, triangle, twosies, white meat turkey on pumpernickel

Quotes Containing two-way:
Ambrose Bierce (1842-1914): 'Marriage: a master , a mistress and two slaves, making in all two.'
Unknown: ''A kiss is a pleasant reminder that two heads are better then one.''
Oscar (Walter Matthau) in The Odd Couple (1968): 'Takes two to make a rotten marriage .'
George Orwell (1903-1950) Animal Farm (1945): ''Four legs good, two legs bad .''
George Orwell (1903-1950) Animal Farm (1945): ''Four legs good, two legs bad .''
George Orwell (1903-1950) Animal Farm (1945): ''Four legs good, two legs bad .''
French author Franois Rabelais (1494-1553) (Translation by Sir Thomas Urquhart, 1653): ''These two did often do-the-two-backed-beast together in so far that at last she became great-with-child .''
Anonymous limerick: ''Heres to America, land of the push / Where a bird in the hand is worth two in the bush / But if in that bush a fair maiden should stand / Then a push in the bush is worth two in the hand.''
''One orgasm in the bush is worth two in the hand.'' From Graffiti. Two Thousand Years of Wall Writing by Robert Reisner.
Betty Du Boop (Eileen Brennan) to Lou Peckingpaugh (Peter Falk) in The Cheap Detective (1978): 'If you're not busy, Fred , I get-off at two. Don't you think two is a good-time to get-off on .'
Betty Du Boop (Eileen Brennan) to Lou Peckingpaugh (Peter Falk) in The Cheap Detective (1978): ''If you''re not busy, Fred , I get-off at two. Don''t you think two is a good-time to get-off on .''
From Graffiti. Two Thousand Years of Wall Writing by Robert Reisner: a) ''Minorbation is good during depression.'' b) ''One orgasm in the bush is worth two in the hand.''
From Graffiti. Two Thousand Years of Wall Writing by Robert Reisner: a) ''Minorbation is good during depression.'' b) ''One orgasm in the bush is worth two in the hand.''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Love is blind with sex in mind, but don''t be resigned, it always takes two of a kind.''
Betty Du Boop (Eileen Brennan) to Lou Peckingpaugh (Peter Falk) in The Cheap Detective (1978): ''If you''re not busy, Fred , I get-off at two. Don''t you think two is a good-time to get-off on .''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Love is blind with sex in mind, but don''t be resigned, it always takes two of a kind.''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Fuck intercourse .'' Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''The only recourse is intercourse , of course.''
Luna Schlosser (Diane Keaton) and Miles Monroe (Woody Allen) who was frozen in the year 1973 and awakened in 2173 in Sleeper (1973): - Luna: 'It's hard to believe you haven't had sex for two hundred years.' - Miles: 'Two hundred and four if you count my marriage .'
Rose Morgan (Barbra Streisand) in The Mirror Has Two Faces (1996): ''I look like an over-the-hill Barbie Doll.''
Messenger 7013 (Edward Everett Horton) watching scheming Kitty Pendleton (Rita Hayworth) in Down to Earth (1947): ''Females! One head but two faces. ''
Lawrence Paros. The Erotic Tongue (1984): ''Two things smell like a fish , and one is a fish .''
Joan about Heidi in Joan Rivers'' Salute to Heidy Abromowitz (1985): ''The woman who invented eigh-play, which is foreplay with two guys. ''
Sung by ''Crocodile'' Dundee (Paul Hogan) in Crocodile Dundee (1986): ''If I give my heart to you / I''ll have none and you''ll have two.''
Alfred Douglas: ''I am the Love that dare not speak its name.'' Last line of his poem: Two Loves.
Isaac Davis (Woody Allen) and Mary Wilke (Diane Keaton) in Manhattan (1979): - Isaac: ''I have a kid. He''s being raised by two women at the moment.'' - Mary: ''Oh, you know , I think that works. They made some studies. I read it in one of the psychoanalytic quarterlies. You don''t need a male and two mothers are absolutely fine.'' - Isaac: ''Oh, really? Because I always feel very few people survive one mother .''
Isaac Davis (Woody Allen) and Mary Wilke (Diane Keaton) in Manhattan (1979): - Isaac: ''I have a kid. He''s being raised by two women at the moment.'' - Mary: ''Oh, you know , I think that works. They made some studies. I read it in one of the psychoanalytic quarterlies. You don''t need a male and two mothers are absolutely fine.'' - Isaac: ''Oh, really? Because I always feel very few people survive one mother .''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''God save the Queens!''
Billy the Kid (Jack Beutel) speaking of Rio MacDonald (Jane Russell) in The Outlaw (1943):'I wouldn't come back two inches to get her.'
Stacey (Lea Thompson) in Casual Sex (1988): ''Safe sex . Who would have ever thought those two words would exist in the same sentence?''
Adam Bonner (Spencer Tracy) to his wife Amanda (Katharine Hepburn) in Adam's Rib (1949): 'I'm old-fashioned , I like two sexes. '
R.Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Last perm in is a rotten egg.''
Steve (Jay Thomas) in A Smile Like Yours (1997): ''The only time I can count as a threesome is when I use two hands.''
Rose Morgan (Barbra Streisand) in The Mirror Has Two Faces (1996): ''I look like an over-the-hill Barbie Doll.''
Alfred Douglas: 'I am the Love that dare not speak its name.' Last line of his poem: Two Loves.
Stephen Blume (George Segal) in Blume in Love (1973): 'You see two people in-love somehow you feel a little bit of it yourself.'
Stephen Blume (George Segal) in Blume in Love (1973): 'You see two people in-love somehow you feel a little bit of it yourself.'
Regret (William Demarest) as in Sorrowful Jones (1949): 'I've got three mouths to feed. Two on my wife .'
R. Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Practice makes pervert .''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: 'Fuck intercourse .'
Norman Douglas, Almanac (1941): ''To find a friend one must close one eye . To keep him two.''
R. Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Better latent than never.''
R. Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Better latent than never.''
Jake Gittes (Jack Nicholson) reflecting in The Two Jakes (1990): ''Memories are like that, as unpredictable as nitro and you never know what''s going to set them off .''
From Graffiti. Two Thousand Years of Wall Writing by Robert Reisner: ''Homosexuality is a pain-in-the-ass .''
''Have gums, will travel.'' From Graffiti. Two Thousand Years of Wall Writing by R. Reisner
Wheeler (Lou Diamond Phillips) to Rick (Jonathan Silverman) in Teresa's Tattoo (1994): 'You couldn't find your butt with two hands and a compass.'
Lucy (Shelley Long) in Hello Again (1987): ''I think I passed cute two years ago... maybe three.''
Bert (M. Emmet Walsh) in White Sands (1992): ''You''re as persistent as a dog-with-two-dicks .''
Roland T. Flakfizor (John Turturro) in Brain Donors (1992): 'Two is company and three is an adult-movie .'
Frederic Mullally, The Penthouse Sexicon (1968): ''Man who believes that two mates are more fun than one. Naturally, this makes him a criminal.''
Claude Jobert (Judge Reinhold) a man with two wives and one mistress in Near Misses (1991): ''Just because bigamy is illegal doesn''t mean it''s easy.''
''You know Effie. When she gets riled up , she''''l fight a rattlesnake and give it the first two bites. '' Egbert Floud (Charlie Ruggles) speaking of his wife in Ruggles of Red Gap (1935)
Two gay males, Terry and Warren (Anthony Barrile) in Kiss me Guido (1998): - Terry: ''Me, I''m versatile . I like to be a top or a bottom .'' - Warren: ''Oh, please, Terry. You have bottom stamped on your forehead.''
Johnny (Michael Keaton) and a chorus-girl in Johnny Dangerously (1984): - Chorus girl : ''I''m not wearing a bra , Johnny.'' - Johnny Kelly: ''That makes two of us.''
Johnny (Michael Keaton) and a chorus-girl in Johnny Dangerously (1984): - Chorus girl : ''I''m not wearing a bra , Johnny.'' - Johnny Kelly: ''That makes two of us.''
Abe (Alan King) in Memories of Me (1988): ''At my age you worry about two things. One, you''re with a woman and she says, let''s do-it again right now, and the other is, who''s going to come to my funeral?''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: - ''Fuck scatology.'' - ''Homosexuality is a pain-in-the-ass .''
Fast Eddie Felson (Paul Newman) to Vince (Tom Cruise) in The Color of Money (1986): ''You''ve got to have two things to win . You''ge got to have brains and you''ve got to have balls . You''ve got too much of one and not enough of the other.''
Erica Benton (Jill Clayburgh) in An Unmarried Woman (1978): ''Balls! said the Queen. If I had ''em I''d be King. '' A rewording of: ''Balls! said the Queen. If I had two, I could be King. '' (If I had ''em I''d be king .) George Burns: ''If my aunt had balls , shed be my uncle .''
''That body was put together by somebody very close to God.'' Leo Schneider (Joseph Bologna) commenting on a woman''s beauty in Chapter Two (1979)
''The world is changing, but two things remain constant. (...) Youth, and beauty . You know they''re really one and the same thing .'' Dudley (Cary Grant), an angel , to Julia Brougham (Loretta Young) in The Bishop''s Wife (1947)
William Shakespeare. Othello (1605): Iago: ''I am one, sir, that comes to tell you your daughter and the Moor are now making-the-beast-with-two-backs .''
Oscar (Walter Matthau) trying to convince Felix (Jack Lemon) that they should make-a-play-for the two good-looking women, Thelma and Holly, in The Odd Couple II (1998): ''The wick is almost out , Felix. All I want is for the candle to glow rather than curse the darkness.''
Colonel Bertran (Manolo Fabregas) and Hogan (Clint Eastwood) in Two Mules for Sister Sara (1970): - Colonel: ''Each man is a Mexican patriot.'' - Hogan: ''Yeah, well, I''m a Hogan patriot.''
Thornton Melon (Rodney Dangerfield) in Back to School (1986): ''It''s a jungle out there. You''ve got to look out for number-one ... but don''t step in number-two .''
Penguin/Oswald Cobblepot (Danny De Vito) about his parents who threw in the sewers as a child in Batman Returns (1992): ''I was their number-one son and they treated me like number-two .''
Lionel Twain (Truman Capote), claiming to be the greatest detective, and Sam Diamond (Peter Falk) contradicting him in Murder by Death (1976): - Lionel Twain: ''Look at me! I''m the greatest! I''m number one!'' - Sam Diamond: ''To me you look like number-two . Know what I mean?''
Pat Cooper (Wendy Hiller) to John Malcolm (Burt Lancaster) about his relation with his ex-wife Ann Shankland (Rita Hayworth) in Separate Tables (1958): ''Well, there''s not much to choose between you two, is there? When you''re together, you slash each other to pieces, when you''re apart, you slash yourselves to pieces. '' A form of reconciliation is achieved at the end of the movie with this dialogue: - John: ''You know , don''t you Ann, that we don''t have very much hope together.'' - Ann: ''Have we all that much apart?''
Mark (Dabney Coleman) and Darcy (Patti D''Arbanville) in Modern Problems (1981): - Mark: ''I seem to know instinctively when two people have the right chemistry and as far as I''m concerned, you and I, we''re magic.'' - Darcy: ''Well, then, I''ll just disappear.''
Johnny (Michael Keaton) and a chorus-girl in Johnny Dangerously (1984): - Chorus girl : ''I''m not wearing a bra , Johnny.'' - Johnny Kelly: ''That makes two of us.''
Johnny (Michael Keaton) and a chorus-girl in Johnny Dangerously (1984): - Chorus girl : ''I''m not wearing a bra , Johnny.'' - Johnny Kelly: ''That makes two of us.''
Oscar (Walter Matthau) trying to convince Felix (Jack Lemon) that they should make-a-play-for the two good-looking women, Thelma and Holly, in The Odd Couple II (1998): ''The wick is almost out , Felix. All I want is for the candle to glow rather than curse the darkness.''
Pvt. Judy Benjamin (Goldie Hawn) who after two marriages (one lasting 6 six weeks, the other 6 hours), finally has an orgasm (after 6 hours) with Henrie Trmont (Armand Assante) in Private Benjamin (1980): 'Now I know what I've been faking all these years.'
Allan (Woody Allen) thinking of his wife Nancy in Play It Again, Sam (1972): 'I wonder if she actually had an orgasm in the two years we were married or did she fake-it that night?'
A journalist (Michael O''Keefe) and Nina (Laura San Giacomo) in Nina Takes a Lover (1995): - Journalist: ''There are basically two arguments about infidelity . One is that you''re either born monogamous or you''re not and the other is that we''re all capable, certain conditions in a marriage provoke it .'' - Nina: ''What do you think?'' - Journalist: ''I think it''s a little bit of both.''
Leo Schneider (Joseph Bologna) to Faye Medwick (Valerie Harper) in Chapter Two (1979): ''I can''t be faithful to my wife and I hate the guilt that comes from fooling-around . So I compromise. I have a lot of unpleasurable affairs .''
Lionel Twain (Truman Capote), claiming to be the greatest detective, and Sam Diamond (Peter Falk) contradicting him in Murder by Death (1976): - Lionel Twain: ''Look at me! I''m the greatest! I''m number one!'' - Sam Diamond: ''To me you look like number-two . Know what I mean?''
Thornton Melon (Rodney Dangerfield) in Back to School (1986): ''It''s a jungle out there. You''ve got to look out for number-one ... but don''t step in number-two .''
Penguin/Oswald Cobblepot (Danny De Vito) about his parents who threw in the sewers as a child in Batman Returns (1992): ''I was their number-one son and they treated me like number-two .''
Leo Schneider (Joseph Bologna) in Chapter Two (1979): ''I can''t be faithful to my wife and I hate the guilt that comes from fooling-around . So I compromise. I have a lot of unpleasurable affairs .''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''I''d give my right arm to be ambidextrous .''
The journalist (Michael O''Keefe) and Nina (Laura San Giacomo) in Nina Takes a Lover (1995): - Journalist: ''There are basically two arguments about infidelity . One is that you''re either born monogamous or you''re not and the other is that we''re all capable, certain conditions in a marriage provoke it .'' - Nina: ''What do you think?'' - Journalist: ''I think it''s a little bit of both.''
Ruby Carter''s (Mae West) answer to a group of admirers in Belle of the Nineties (1934): - Admirers: ''May we ask what types of men you prefer?'' - Ruby Carter: ''Just two: domestic and foreign.''
Ruby Carter''s (Mae West) answer to a group of admirers in Belle of the Nineties (1934): - Admirers: ''May we ask what types of men you prefer?'' - Ruby Carter: ''Just two: domestic and foreign.''
Leo Schneider (Joseph Bologna) in Chapter Two (1979): ''I can''t be faithful to my wife and I hate the guilt that comes from fooling-around . So I compromise. I have a lot of unpleasurable affairs .''
Alexander Midnight (Fisher Stevens) to Amanda (Sandra Bullock) in When the Party''s Over (1991): ''When I saw you earlier I knew that we had been together before. That''s what love-at-first-sight is. It''s a reconnection of two old entertwined souls.''
British agent 007 James Bond (Pierce Brosnan) loosing the first hand of baccara to Soviet agent Xena Onatopp (Famke Janssen) in GoldenEye (1995): - James: 'It appears we have the same passions. Three anyway.' - Xena: 'I count two. Motoring and baccara... I hope the third is where your real talent lies.' - James: 'One rises to meet a challenge.'
Ed (George Kennedy) & Frank (Leslie Nielsen) in Naked Gun 2 . The Smell of Fear (1991): - Captain Ed Hocken: ''We have an address. Monique de Carlo, two-ten Belckner Street.'' - Lt. Frank Drebin: ''That''s the redlight district. I wonder why Savage is hanging out down there?'' - Captain Ed Hocken: ''Sex, Frank?'' - Lt. Frenk Drebin: ''No, not right now, Ed. We''ve got work to do .''
Alvy Singer (Woody Allen) to Annie (Diane Keaton) in Annie Hall (1977): ''Don''t knock masturbation! It''s sex with someone I love .'' Off-screen Woody Allen also said: ''I believe that sex is a beautiful thing between two people. Between five, it''s fantastic.''
Alvy Singer (Woody Allen) to Annie (Diane Keaton) in Annie Hall (1977): ''Don''t knock masturbation! It''s sex with someone I love .'' Off-screen Woody Allen also said: ''I believe that sex is a beautiful thing between two people. Between five, it''s fantastic.''
Pvt. Judy Benjamin (Goldie Hawn) who after two marriages (one lasting 6 six weeks, the other 6 hours), finally has an orgasm (after 6 hours) with Henrie Trmont (Armand Assante) in Private Benjamin (1980): ''Now I know what I''ve been faking all these years.''
Allan (Woody Allen) thinking of his wife Nancy in Play It Again, Sam (1972): ''I wonder if she actually had an orgasm in the two years we were married or did she fake-it that night?''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''I''m so horny the crack of dawn better watch out .''
Barry (Ryan Phillippe) in I Know What You Did Last Summer (1997): ''You two should look at a mirror sometime. You look like shit run over twice.''
Annie (Diane Keaton) and Alvy Singer (Woody Allen) in Annie Hall (1977): - Annie: 'Do you love me?' - Alvy: 'Love is too weak a word... I luuurv you. I lOOOve you. I luff you, two f's.'
Jean Howard (Ida Lupino) and Lt. Don Mallory (William Prince) in Pillow to Post (1945): - Jean: 'Love is a beautiful thing .' - Don: 'I get two hours of it every Saturday night at a movie. That's enough for me.'
Lionel Twain (Truman Capote), claiming to be the greatest detective, and Sam Diamond (Peter Falk) in Murder by Death (1976). - Lionel Twain: ''Look at me! I''m the greatest! I''m number one!'' - Sam Diamond: ''To me you look like number-two . Know what I mean?''
Bob Seton (John Wayne) invited to dinner by William Cantrel (Walter Pigeon) in Dark Command (1940): ''It''s the first time I ever had two kinds of birds with one meal: turkey to eat and buzzards to look at.''
Barry (Ryan Phillippe) in I Know What You Did Last Summer (1997): ''You two should look at a mirror sometime. You look like shit run over twice.''
Two gay males, Terry (Craig Chester) and Warren (Anthony Barrile), in Kiss me Guido (1998): - Terry: 'Me, I'm versatile . I like to be a top or a bottom .' - Warren: 'Oh, please, Terry. You have bottom stamped on your forehead.'
Lawrence Paros, The Erotic Tongue (1984): ''Sex comes from the Latin secare, "to cut or divide," and we first used the word to designate the two major categories of humanity we have come to know and love as male and female. We later used the word sex not only for dividing the sexes, but to refer to qualities of being male or female.'
Michael (Jeff Goldlum) and Sam (Tom Berenger) in The Big Chill (1983): - Michael: 'I don't know anyone who could get-through the day without two or three juicy rationalizations. They're more important than sex .' - Sam: 'Ah, come-on . Nothing's more important than sex .? - Michael: 'Oh, yeah? Ever gone a week without a rationalization?'
Ambrose Bierce (Gregory Peck) to Harriet Winslow (Jane Fonda) in Old Gringo (1989): 'Man, as you know , is one of the most pathetic creatures on earth, condemned to a desire that contradicts all the laws of nature, to close the gap between two human beings. Some call this desire of love , and it is desperately impossible to satisfy.'
Harris K . Telemacher''s (Steve Martin) closing monologue in L.A. Story (1991): ''There are only two things in my life I will never forget: one is that-there is someone for everyone, even if you need a pick-axe, a compass, a night goggle to find them, and the other is tonight, when I learned that romance does exist in the heart of L.A.''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Large cats can be dangerous, but a little pussy never hurt anyone.''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''Large cats can be dangerous, but a little pussy never hurt anyone.''
Buddy Griffith (Billy Jacoby) and Denise (Toni Hudson) in Just One of the Boys (1985): - Buddy:'Our parents are gone for two weeks. Do you know what that means? Their king size bed is empty.' - Denise:'I think that if you and I were the last man and woman on earth the human race would die out .'
Two gay males, Terry (Craig Chester) and Warren (Anthony Barrile), in Kiss me Guido (1998): - Terry: ''Me, I''m versatile . I like to be a top or a bottom .'' - Warren: ''Oh, please, Terry. You have bottom stamped on your forehead.''
A journalist (Michael O''Keefe) and Nina (Laura San Giacomo) in Nina Takes a Lover (1995): - Journalist: ''There are basically two arguments about infidelity . One is that you''re either born monogamous or you''re not and the other is that we''re all capable, certain conditions in a marriage provoke it .'' - Nina: ''What do you think?'' - Journalist: ''I think it''s a little bit of both.''
Jenny MacLaine (Marsha Mason) to George Schneider (James Caan) in Chapter Two (1979): ''I want a home , I want a family and I want a career. I want everything. And there is no harm in wanting it , George, because there isn''t a chance in hell we''re going to get it all anyway.''
Ratso Rizzo (Dustin Hoffman) to Joe-Buck (Jon Voight) in Midnight Cowboy (1969): ''The two basic items necessary to sustain life are sunshine and cocoanut milk . Did you know that? That''s a fact .''
Agent WD40, Dick Steel (Leslie Nielsen) to the spy in his bed in Spy Hard (1998): ''Don''t thank me, darling . The art of lovemaking takes two... sometimes three or four depending on how well you do at the crap tables.''
Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) in When Harry Met Sally (1989): - Harry: ''There are two kinds of women: high-maintenance and low -maintenance.'' - Sally : ''And Ingrid Bergman is low maintenance?'' - Harry: ''An LM definitely.''
Allan Felix (Woody Allen) in Play It Again, Sam (1972): ''We went to Mexico for our honeymoon . I spent the entire two weeks in bed ... I had dysentery.''
Marina Rudd (Elizabeth Taylor) and Lola Brewster (Kim Novak) in The Mirror Crack''d (1980): - Marina: ''Lola, darling , you know there are only two things I dislike about you.'' - Lola: ''Really? What are they?'' - Marina: ''Your face .''
Mitzi (Hugo Weaving) to Felicia in The Adventures of Priscilla, Queen of the Desert (1994): ''There are two things I don''t like about you... your face . So how about shutting both of ''em.''
Allan (Woody Allen) thinking of his wife Nancy in Play It Again, Sam (1972): ''I wonder if she actually had an orgasm in the two years we were married or did she fake-it that night?''
Elie (Kevin Pollak) reciting the bachelor''s credo of dating in The Opposite Sex: And How to Live With Them (1993): ''The 3-F''s of Dating: One: Film. Two: Food. Three: Fuck.''
Leo Schneider (Joseph Bologna) in Chapter Two (1979): 'The problem with marriage is that it's relentless. Every morning when you wake up it's still there. If I could just get a leave of absence once in a while. I used to get them all the time in the army. I always came back .'
Kevin (Andrew McCarthy) and Alec (Judd Nelson) in St. Elmo's Fire (1985): - Kevin: 'The notion of two people spending their entire lives together was invented by people who were lucky to make-it to twenty without being eaten by dinosaurs. Marriage is obsolete.' - Alec: 'Dinosaurs are obsolete. Marriage is still around.'
Lionel Twain (Truman Capote), claiming to be the greatest detective, and Sam Diamond (Peter Falk) in Murder by Death (1976). - Lionel Twain: ''Look at me! I''m the greatest! I''m number one!'' - Sam Diamond: ''To me you look like number-two . Know what I mean?''
Bob Seton (John Wayne) invited to dinner by William Cantrel (Walter Pigeon) in Dark Command (1940): ''It''s the first time I ever had two kinds of birds with one meal: turkey to eat and buzzards to look at.''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''What ever happened to virginity?'' (Underneath:) ''It got fucked .''
Robert Reisner. Graffiti. Two Thousand Years of Wall Writing: ''What ever happened to virginity?'' (Underneath:) ''It got fucked .''
The local sheriff and Susan (Katharine Hepburn) about David (Cary Grant) in Bringing Up Baby (1938): - The Sheriff: ''Oh! So he''s a lady-killer?!'' - Susan Vance: ''A lady-killer?! Why he''s a regular Don Swan. (...) He bops them over, one, two, three, boom. Just like that. He''s a wolf .''
Ronald Kornblow (Groucho Marx) to Pierre (Charles Drake) and his fiancee Annette (Lois Collin) in A Night in Casablanca (1946): - Ronald: 'Why don't you two lovebirds get married?' - Pierre: 'Oh, marriage is impossible.' - Ronald: 'Only after you're married .'
Lorene/Alma Burke (Donna Reed) to Robert E. Lee Prewitt (Montgomery Clift) in From Here to Eternity (1953): ''I''m the girl you met at the New Congress Club. That''s two steps up from the pavement.''
Lawrence Paros, The Erotic Tongue (1984): ''Sex comes from the Latin secare, "to cut or divide," and we first used the word to designate the two major categories of humanity we have come to know and love as male and female. (...) We later used the word sex not only for dividing the sexes, but to refer to qualities of being male or female. Over time we assigned specific attributes to each category. These distinctions were dutifully recorded in the esteemed OED, making-it all very official. The male was described as "the better" and "the sterner" sex ; the female, as "the fairer," "the gentler," "the softer," and "the devout" sex . Women were also called "the second" sex . For a period of time between the sixteenth and seventeenth centuries, when people spoke of "the sex ," they had women in mind.''
Tillie Schlaine (Carol Burnett) to Pete Seltzer (Walter Matthau) in Pete ''n'' Tillie (1972): - Tillie: ''What do you think?'' - Pete: ''I think you are a fine-figure of a woman .'' - Tillie: ''I wasn''t asking about me. I was asking about the apartment.'' - Pete: ''Oh. It needs a man''s touch .'' -Tillie: ''Incidentally, for future reference, no woman who fancies she has a good-figure likes to hear she''s a fine-figure of a woman . The two aren''t the same at all.''
Charles Panati. Sexy Origins and Intimate Things (1998): ''Thanks to photography and film, Americans have created and worshiped more femme icons than all previous centuries combined. Each of our decades has produced several new images. For the most part, men dreamed up these images and named them, and women have worked hard to copy their shapes and costumes. If there is a single attribute that most of these modern images possess, its "sex-appeal " - a relatively new and daring term in English. American men have categorized their women by sexual types and nicknamed them with suggestively playful tags. In centuries past, where a virtue-vice dichotomy prevailed, women came in only two types: good or bad , whores or madonnas, mothers or mistresses. ''
Charles Panati. Sexy Origins and Intimate Things (1998): ''Thanks to photography and film, Americans have created and worshiped more femme icons than all previous centuries combined. Each of our decades has produced several new images. For the most part, men dreamed up these images and named them, and women have worked hard to copy their shapes and costumes. If there is a single attribute that most of these modern images possess, its "sex-appeal " - a relatively new and daring term in English. American men have categorized their women by sexual types and nicknamed them with suggestively playful tags. In centuries past, where a virtue-vice dichotomy prevailed, women came in only two types: good or bad , whores or madonnas, mothers or mistresses. ''
Charles Panati. Sexy Origins and Intimate Things (1998): ''Thanks to photography and film, Americans have created and worshiped more femme icons than all previous centuries combined. Each of our decades has produced several new images. For the most part, men dreamed up these images and named them, and women have worked hard to copy their shapes and costumes. If there is a single attribute that most of these modern images possess, its "sex-appeal " - a relatively new and daring term in English. American men have categorized their women by sexual types and nicknamed them with suggestively playful tags. In centuries past, where a virtue-vice dichotomy prevailed, women came in only two types: good or bad , whores or madonnas, mothers or mistresses. ''
Gittel (Shirley MacLaine) and Gerry (Robert Mitchum) in Two for the Seesaw (1962): - Gittel: 'Do you think I'm too fat?' - Gerry: 'Good heavens, no .' - Gittel: 'Do you think I'm too skinny?' - Gerry: 'I think you're a sacred vessel of womanhood .' - Gittel: 'Sexy as all get up , hmm?' - Gerry: 'Well put. - Gittel: 'Do you think I'm too sexy? I mean oversexed?' - Gerry: 'Well, I think your kind of a mixed up vessel. Calmly considered I'd say your bottom was tops. ' - Gittel: 'Oh, some vessel! I sound like a shipwreck.'
''Now let me get this straight . You got a wife and you got a girlfriend in the office? Did you say your name was Bud or Stud? I''m sorry, but it sounds to me like you''re living your life so crooked you have to screw your socks on . Having an affair is like shooting pool on two tables. You may have the balls , Bud, but you''re gonna wear out your stick .'' Shirlee Kenyan (Dolly Parton) hosting a radio call-in show in Straight Talk (1992)
Lawrence Paros. The Erotic Tongue (1984): ''The bra , or something like it , has been in use for over 6,000 years but really didn''t come into its own until the turn of the century. The first formal application for a patent on the garment was filed on February 12, 1914 by Mary Phelps Jacob, also known as Caresse Crosby, who fashioned a prototype using some ribbons, thread , and two handkerchiefs. After World War I, the donning of the bra became synonymous with the chucking of the corset , long considered the restrainer of the female and the mainstay of her oppression. The bra allowed women to both liberate their bodies and assume a host of activities, both work and play, previously open only to men.''
Lawrence Paros. The Erotic Tongue (1984): ''The bra , or something like it , has been in use for over 6,000 years but really didn''t come into its own until the turn of the century. The first formal application for a patent on the garment was filed on February 12, 1914 by Mary Phelps Jacob, also known as Caresse Crosby, who fashioned a prototype using some ribbons, thread , and two handkerchiefs. After World War I, the donning of the bra became synonymous with the chucking of the corset , long considered the restrainer of the female and the mainstay of her oppression. The bra allowed women to both liberate their bodies and assume a host of activities, both work and play, previously open only to men.''
Lawrence Paros. The Erotic Tongue (1984): ''The bra , or something like it , has been in use for over 6,000 years but really didn''t come into its own until the turn of the century. The first formal application for a patent on the garment was filed on February 12, 1914 by Mary Phelps Jacob, also known as Caresse Crosby, who fashioned a prototype using some ribbons, thread , and two handkerchiefs. After World War I, the donning of the bra became synonymous with the chucking of the corset , long considered the restrainer of the female and the mainstay of her oppression. The bra allowed women to both liberate their bodies and assume a host of activities, both work and play, previously open only to men.''
Lawrence Paros. The Erotic Tongue (1984): ''The bra , or something like it , has been in use for over 6,000 years but really didn''t come into its own until the turn of the century. The first formal application for a patent on the garment was filed on February 12, 1914 by Mary Phelps Jacob, also known as Caresse Crosby, who fashioned a prototype using some ribbons, thread , and two handkerchiefs. After World War I, the donning of the bra became synonymous with the chucking of the corset , long considered the restrainer of the female and the mainstay of her oppression. The bra allowed women to both liberate their bodies and assume a host of activities, both work and play, previously open only to men.''
Mitch Robbins (Billy Crystal) adressing his son''s class in City Slickers (1991):''Value this time in your life , kids, because this is the time in your life when you still have your choices. It goes by so fast. When you''re a teenager , you think you can do anything and you do . Your twenties are a blur. Thirty, you raise your family , you make a little money and you think to yourself: What happened to my twenties? Forties, you grow a little pot belly , you grow another chin. The music starts to get too loud. One of your old girlfriends from high school becomes a grandmother. Fifties, you have a minor surgery. You''ll call-it ''a procedure'' but it''s a surgery. Sixties, you''ll have a major surgery. The music is still loud but it doesn''t matter because you can''t hear it anyway. Seventies, you and the wife retire to Fort Lauderdale, start eating dinner at two o''clock in the afternoon . You have lunch around ten , breakfast the night before. Spend most of your time wandering around malls, looking for the ultimate soft yogourt and muttering: How come the kids don''t call? The eighties, you have a major stroke . You end up blabbering to some Jamaican nurse that your wife can''t stand and that you call mama. Any questions?''

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