home:

Or: home-base , the vagina . See vagina for synonyms.
See Also: abandonment (of a spouse), agoraphobia, all the way, balls in a sling, beaver trap, big dick from Boston, bob, butch in the streets, can entertain, can travel, Canterbury tale, captain has come, cojones, crib, desertion, desperate hours, desperation number, dikey, dreamboat, dykey, easy lay, eating out, ecophobia, escort, female testicles, first base, GHB, Great Hormones at Bed Time, Grievous Bodily Harm, had'em, home, home base, home brew, home plate, home run, homey, homy, Liquid Ecstasy, Liquid Sex, Liquid Soap, love nest, love nook, menstruation, nostophobia, oecophobia, oikophobia, old dose, pad, pussy-whipped, rape drugs, scoop, second base, sex appealing, sexually appealing, shunamitism, spank, striptease to go, swing both ways, swings both ways, switch-hitter, third base, wearer of the breeches, wearer of the pants, woman, zine

Quotes Containing home:
Celeste Talbert (Sally Field) to Rose Schwartz (Whoopi Goldberg) in Soapdish (1991): - Celeste: ''Adam went home to his wife ... He went home to Pittsburgh.'' - Rose: ''Dirty town.'' - Celeste: ''Pittsburgh! Does that tell you anything about my appeal?''
Celeste Talbert (Sally Field) to Rose Schwartz (Whoopi Goldberg) in Soapdish (1991): - Celeste: ''Adam went home to his wife ... He went home to Pittsburgh.'' - Rose: ''Dirty town.'' - Celeste: ''Pittsburgh! Does that tell you anything about my appeal?''
Harry (Joe Pesci) to Kevin (Macaulay Culkin) in Home Alone (1990): ''You bop me with one more can , kid, and I''ll snap off your cojones and boil them in motor oil.''
John Smith (Henry Fonda) in The Moon''s Our Home (1936): ''Give me a simple primitive woman with a small high chest .''
Vida (Debra Winger) to her firefighter husband Wilder (Arliss Howard) in Wilder Napalm (1993): ''Bring home the boots and helmet tonight.''
Jim Wade (William Powell) in Manhattan Melodrama (1934): ''I was born at home because I wanted to be near mother at the time.''
Jim Wade (William Powell) in Manhattan Melodrama (1934): ''I was born at home because I wanted to be near mother at the time.''
Joe Dubin (Larry Miller) driving Emily (Elizabeth McGovern) home after a short date in The Favor (1992): - Joe: 'How about a little goodnight fuck?' - Emily:'Goodnight, Fuck!'
Aurora Greenway (Shirley MacLaine) and Garrett Breedlove (Jack Nicholson) coming home after a very bad dinner date in Terms of Endearment (1983). - Aurora:'Would you like to come in?' - Garret:'I'd rather stick needles in my eyes .'
Manicurist ValDale (Geena Davis) is willing to forgive her fianc Doctor Ted Gallagher (Charles Rocket) for having one last fling if he agrees to lay off nurses in Earth Girls are Easy (1989): 'A relationship is like a porcelain nail , Ted. You can break it and you can glue it back together but it's not going to be as strong as it was unless the person is really committed and not bringing home nurses.'
Jenny MacLaine (Marsha Mason) to George Schneider (James Caan) in Chapter Two (1979): ''I want a home , I want a family and I want a career. I want everything. And there is no harm in wanting it , George, because there isn''t a chance in hell we''re going to get it all anyway.''
'Running into an old sweetheart . If all his old sweethearts were laid end to end you could use them as a sidewalk.' Nora Charles (Myrna Loy) about her husband in The Thin Man Goes Home (1944)
Humorist James Thurber (1894-1961) rephrasing the clich: a woman''s place is in the home/kitchen: ''A woman''s place is in the wrong.'' Of course, as Lady Lou (Mae West) says in She Done Him Wrong (1933): ''When women go wrong, men go right after them.'' Mort Sahl also paraphrased the clich: ''A woman''s place is in the stove.'' Warrick (Sir Cedric Hardwicke) in Valley of the Sun (1942): ''The way to a woman''s heart is to get her out of the kitchen .''
Humorist James Thurber (1894-1961) rephrasing the clich: a woman''s place is in the home/kitchen: ''A woman''s place is in the wrong.'' Of course, as Lady Lou (Mae West) says in She Done Him Wrong (1933): ''When women go wrong, men go right after them.'' Mort Sahl also paraphrased the clich: ''A woman''s place is in the stove.'' Warrick (Sir Cedric Hardwicke) in Valley of the Sun (1942): ''The way to a woman''s heart is to get her out of the kitchen .''
Humorist James Thurber (1894-1961) rephrasing the clich: a woman''s place is in the home/kitchen: ''A woman''s place is in the wrong.'' Of course, as Lady Lou (Mae West) says in She Done Him Wrong (1933): ''When women go wrong, men go right after them.'' Mort Sahl also paraphrased the clich: ''A woman''s place is in the stove.'' Warrick (Sir Cedric Hardwicke) in Valley of the Sun (1942): ''The way to a woman''s heart is to get her out of the kitchen .''
Cherry Chester (Margaret Sullavan) and Anthony Amberton (Henry Fonda) in The Moon''s Our Home (1936) - Cherry Chester: ''Wait a minute. Have I told you about my temper?'' - Anthony Amberton: ''I''ve had complaints about mine.'' - Cherry Chester: ''We''ll fight every day.'' - Anthony Amberton: ''We''ll make-up every night.'' - Cherry Chester: ''I''ll leave you over and over again.'' - Anthony Amberton: ''I''ll always find you.''
Jane Burnham (Thora Birch) to her father Lester (Kevin Spacey) in American Beauty (1999): ''I need a father who''s a role model, not some horny geek-boy who''s gonna spray his shorts every time I bring a girlfriend home from school.''
Call-in radio show ''Doctor'' Shirlee Kenyan (Dolly Parton) to one of her callers in Straight Talk (1992): ''Like my daddy always used to say: a bird and a fish can fall in-love , but where do they make a home?''
Destiny Demeanor (Kathy Ireland) to Sgt. Jack Colt (Emilio Estevez) in National Lampoon''s Loaded Weapon 1 (1993): ''I''m just a gal like any other gal . I want a home , a family , an occasional spanking. ''
William Shakespeare. Alls Well that Ends Well: ''He wears his honour in a box-unseen / That hugs his kicky-wicky [penis] here at home / Spending his manly marrow in her arms. ..''
Lawrence Paros. The Erotic Tongue (1984): 'Nobody really knows where the hole came from, though Captain Grose, the roguish eighteenth- century lexicographer, had his own ideas about it . His version opens with an angel who had been employed in forming women, forgetting to cut off their parts-of-generation . Enter Lucifer who took it upon himself to set matters right. Taking a somewhat direct approach to the problem, he placed himself in a sawpit with a scythe fixed to a stick in his hand and directed the women to straddle the pit . He then gave each the mark-of-the-beast (c. 1715). The pit being too deep for the length of his instrument , tall women received only a moderate scratch , but little women, because their legs were so short and more within his reach, received a somewhat larger cut . The long and the short of it? They both went home with an everlasting-wound (17th C), known in some quarters as the divine-scar (18th C). The Devil, henceforth, was to be known as Old Nick or Ole Scratch; and the c**t [cunt, as slit (17th-20th C), nick , and gash (both 16th-20thC).'

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