turn:

An act of copulation . See copulation for synonyms.
See Also: 33, 5-alpha-reductase, 78, a bit on the Wilde side, abnormal presentation, advanced in years, all penis bondage, anal fissure, analize, Are you red sails in the sunset?, arse up, bambi effect, boiled frog principle, boob tube, booby prize, break luck, breaking luck, browning, bunch-punch, buysexual, caboose, chain sex, Circe, cookies, cunny, dog's rig, dogging, drawers, enamor, evirate, flat-backer, gang bang, gang shay, give someone the works, got something, hack, hackney, hair court, homeboy, intermediate sex, inversion, invert, inverted nipple, iron, jumbucks, needle, patriotute, peach, perpetual emotion, poofter, press the button, pull a trick, queer, ring someone's bell, ring someone's chimes, seventy-eight, size-ist, slip into, Stonewall Uprising, The, switch, take a turn in the Hair Court, talk dirty, talk trash, talking dirty, teenager, thirty-three, toss freaks, triangle, trick, triple header, turn (someone's) head, turn a date, turn a trick, turn off, turn on, turn one out, turn out, turnover, turnpike, twirl the pearls, V-girl, Victory girl, visible panty line, water works, waterworks, wings

Quotes Containing turn:
Larry Wilson (William Powell) and his wife Kay (Myrna Loy) in I Love You Again (1940): - Larry: 'You be careful, madam , or you'll turn my head with your flattery.' - Kay:'I often wished I could turn your head ... on a spit over a slow fire.'
Vera (Della Reese), a madam in Harlem Nights (1989): ''I have a girl whose pussy is so good, if you threw it up in the air, it would turn into sunshine.''
Vera (Della Reese), a madam in Harlem Nights (1989): ''I have a girl whose pussy is so good, if you threw it up in the air, it would turn into sunshine.''
Magenta/Frank (Rutger Hauer) to Ivory/Tracy (Mimi Rogers) in Deadlock (1991): ''You couldn''t turn me on if I had a switch .''
Gay joke: ''Turn over. I want to slip-into something comfortable.''
''Pay a woman a compliment, she tries to turn it into a contract.'' Venneker (Peter Ustinov) in The Sundowners (1960)
''Pay a woman a compliment, she tries to turn it into a contract.'' Venneker (Peter Ustinov) in The Sundowners (1960)
''Pay a woman a compliment, she tries to turn it into a contract.'' Venneker (Peter Ustinov) in The Sundowners (1960)
Vantine (Jean Harlow) asking Dennis Carson (Clark Gable) for a goodbye kiss in Red Dust (1932): ''Gee, Dennis, I don''t want any ceremony but turn around and give me the works. ''
Mafia boss Paul Viti (Robert De Niro) to his therapist Dr. Ben Sobel (Billy Crystal) in Analyze This (1999): ''If I turn fag , you die .''
Mafia boss Paul Viti (Robert De Niro) to his therapist Dr. Ben Sobel (Billy Crystal) in Analyze This (1999): ''If I turn fag , you die .''
Margaret Reynolds (Barbra Streisand) to her nagging overbearing mother Mrs. Yussim (Jane Hoffman) in Up the Sandbox (1972): ''If this is what it''s like to be a mother I''ll turn in my ovaries.''
Margaret Reynolds (Barbra Streisand) to her nagging overbearing mother Mrs. Yussim (Jane Hoffman) in Up the Sandbox (1972): ''If this is what it''s like to be a mother I''ll turn in my ovaries.''
Wall street broker Bullard Bear (Jim Backus) watching Molly Thatcher (Lee Remick) leave the office in The Wheeler Dealers (1963): 'Women shouldn't be allowed to have lunch clubs. We've got to keep them off balance, disorganized, clawing and scratching at each other, otherwise they might turn-on us.'
Wall street broker Bullard Bear (Jim Backus) watching Molly Thatcher (Lee Remick) leave the office in The Wheeler Dealers (1963): ''Women shouldn''t be allowed to have lunch clubs. We''ve got to keep them off balance, disorganized, clawing and scratching at each other, otherwise they might turn-on us.''
Wall street broker Bullard Bear (Jim Backus) watching Molly Thatcher (Lee Remick) leave the office in The Wheeler Dealers (1963): 'Women shouldn't be allowed to have lunch clubs. We've got to keep them off balance, disorganized, clawing and scratching at each other, otherwise they might turn-on us.'
A typical Fishism by Richard Fish (Greg Germann) from the TV series Ally McBeal (1997): 'You know , I had a great aunt once who said if you stare at a beautiful woman too long, you turn to stone. She was partially right.'
Aaron Altman (Albert Brooks) to Jane Craig (Holly Hunter) in Broadcast News (1987): 'Wouldn't this be a great world if insecurity and desperation made us more attractive , if needy were a turn-on.'
Cynthia (Brenda Blethyn) and Roxanne (Claire Rushbrook) in Secrets and Lies (1996): - Cynthia: ''I can still turn a few heads. ..'' - Roxanne: ''And a few stomachs!''
The Wolfman (Lon Chaney, Jr.) and Wilbur Grey (Lou Costello) in Abbott and Costello Meet Frankenstein (1948): - Wolfman: ''You don''t understand. Every night, when the moon is full, I turn into a wolf .'' - Wilbur Grey: ''You and fifty million other guys. ''
Aaron Altman (Albert Brooks) to Jane Craig (Holly Hunter) in Broadcast News (1987): ''Wouldn''t this be a great world if insecurity and desperation made us more attractive , if needy were a turn-on.''
Cynthia (Brenda Blethyn) and Roxanne (Claire Rushbrook) in Secrets and Lies (1996): - Cynthia: ''I can still turn a few heads. ..'' - Roxanne: ''And a few stomachs!''
Duke (Jack Palance) to Mitch Robbins (Billy Crystal) in City Slickers II: The Legend of Curly''s Gold (1994): ''You ever talk to me like that again and I''ll turn your balls into earrings.''
Charles Panati. Sexy Origins and Intimate Things (1998): ''The most popular explanation for the link between fashion and eroticism, and rapid changes in styles, is the sex-appeal theory, also known as the theory of shifting erogenous-zones . Proponents of the theory argue that the primary purpose of all womens fashion is the desire to continually reattract the opposite-sex . The driving force behind seasonal changes in styles is to arouse men sated by last seasons "look" to turn-on to a new "look." In todays sexually liberated and sex-saturated times, fashion is driven by the seduction principle. With so much sexual imagery in the media, men get sated quickly, and women must work hard to reseduce them with styles that continually shift the erogenous zone from breasts to bellies to backs to legs to hair to lips . Men, for their part, positively yearn to be reseduced, over and over again. All of this seduction, says the theory, is to fulfill the biological imperative to continue the species, even if the sexes thwart conception at every chance they get .''
Charles Panati. Sexy Origins and Intimate Things (1998): ''The most popular explanation for the link between fashion and eroticism, and rapid changes in styles, is the sex-appeal theory, also known as the theory of shifting erogenous-zones . Proponents of the theory argue that the primary purpose of all womens fashion is the desire to continually reattract the opposite-sex . The driving force behind seasonal changes in styles is to arouse men sated by last seasons "look" to turn-on to a new "look." In todays sexually liberated and sex-saturated times, fashion is driven by the seduction principle. With so much sexual imagery in the media, men get sated quickly, and women must work hard to reseduce them with styles that continually shift the erogenous zone from breasts to bellies to backs to legs to hair to lips . Men, for their part, positively yearn to be reseduced, over and over again. All of this seduction, says the theory, is to fulfill the biological imperative to continue the species, even if the sexes thwart conception at every chance they get .''
Lawrence Paros. The Erotic Tongue (1984): ''The bra , or something like it , has been in use for over 6,000 years but really didn''t come into its own until the turn of the century. The first formal application for a patent on the garment was filed on February 12, 1914 by Mary Phelps Jacob, also known as Caresse Crosby, who fashioned a prototype using some ribbons, thread , and two handkerchiefs. After World War I, the donning of the bra became synonymous with the chucking of the corset , long considered the restrainer of the female and the mainstay of her oppression. The bra allowed women to both liberate their bodies and assume a host of activities, both work and play, previously open only to men.''
Lawrence Paros. The Erotic Tongue (1984): ''The bra , or something like it , has been in use for over 6,000 years but really didn''t come into its own until the turn of the century. The first formal application for a patent on the garment was filed on February 12, 1914 by Mary Phelps Jacob, also known as Caresse Crosby, who fashioned a prototype using some ribbons, thread , and two handkerchiefs. After World War I, the donning of the bra became synonymous with the chucking of the corset , long considered the restrainer of the female and the mainstay of her oppression. The bra allowed women to both liberate their bodies and assume a host of activities, both work and play, previously open only to men.''
Lawrence Paros. The Erotic Tongue (1984): ''The bra , or something like it , has been in use for over 6,000 years but really didn''t come into its own until the turn of the century. The first formal application for a patent on the garment was filed on February 12, 1914 by Mary Phelps Jacob, also known as Caresse Crosby, who fashioned a prototype using some ribbons, thread , and two handkerchiefs. After World War I, the donning of the bra became synonymous with the chucking of the corset , long considered the restrainer of the female and the mainstay of her oppression. The bra allowed women to both liberate their bodies and assume a host of activities, both work and play, previously open only to men.''
Lawrence Paros. The Erotic Tongue (1984): ''The bra , or something like it , has been in use for over 6,000 years but really didn''t come into its own until the turn of the century. The first formal application for a patent on the garment was filed on February 12, 1914 by Mary Phelps Jacob, also known as Caresse Crosby, who fashioned a prototype using some ribbons, thread , and two handkerchiefs. After World War I, the donning of the bra became synonymous with the chucking of the corset , long considered the restrainer of the female and the mainstay of her oppression. The bra allowed women to both liberate their bodies and assume a host of activities, both work and play, previously open only to men.''

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